This saga tells the story of the Tolliver and the Warwick families, who are two of the three founding families of the town of Howbutker in the Southern States of America. Along with the third family, the Dumonts, they agree that if one ever offends the other, they would send a red rose to ask forgiveness. The other family would send a white rose to say that forgiveness had been granted. They lived alongside each other as neighbours and great friends, until in 1916, young Mary Tolliver inherits Somerset, their cotton plantation from her father, against the wishes and expectations of her mother and brother. A rift develops, and matters are made worse when Mary turns down the proposal of handsome Percy Warwick, the timber magnate. The scene is set for a story that will have consequences for all families concerned, and for their future generations.
This book was obviously influenced by Gone With The Wind (a precocious Southern belle, who is determined to save her family’s cotton farm at any cost), but it has its own story to tell. It relates events from three points of view, and only by reading all of them, does the whole picture become clear.
I enjoyed every page of the book – the story had plenty of twists and a few shocks, and I thought it brought the periods described into clear focus. I liked most of the characters; Mary (like Scarlett O’Hara before her) was not always easy to warm to, but the book did a good job of explaining things from her perspective.
The writing flowed beautifully, even if it had an occasional tendency to get ‘flowery’ and it was one of those books where I kept thinking, “I’ll read just a few more pages.” I liked the earlier parts of the story – those set in the 1920s and 1930s, more than the modern(ish) section, which showed how the events of years earlier were still reverberating down through the decades. Nonetheless, the last part did round things off very well.
Although this is quite a big book at more than 600 pages, it didn’t feel like a long read. I would recommend it, and will look out for more by Leila Meacham.
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