This (sadly little-known) drama-comedy mockumentary follows the fortunes of a travelling theatre company, who are performing a modern and subversive adaptation of Shakespeare’s Twelfth Night. It’s a behind-the-scenes look at the main players, including the egotistical and rather unpleasant Greg (Ferdy Roberts), and the heavy drinking and irresponsible, but ultimately likeable ‘Oz’ Oscar (Oliver Dimsdale), who started the company. The characters are all too believable, with the sometimes tense and claustrophobic atmosphere that one can feel when cooped up with the same people day in, day out, clearly shown. I liked Suzie (Sandy Foster), the understudy, who despite being the only person who had to audition to join the company, is never given her chance to shine (with Greg giving his own non-actor wife a part in the play rather than offer it to Suzie), and the other understudy Tony (Alex Avery), who is given a chance to shine, despite not being up to the part.
With actors Dominic West and Romola Garai playing themselves, giving their opinion on the company and the play, the realism is heightened. There are moments of comedy and some moments of pathos, mainly courtesy of Oscar, and it ends on a somewhat downbeat note, although that does not detract from the general enjoyment of the film.
I would say that a basic knowledge of the play Twelfth Night would help when watching this, although it is probably not a necessity. However, do not watch it expecting to learn what Twelfth Night is about, because it probably won’t help!
This is definitely a film for fans of Shakespeare, and even more so for fans of theatre in general, and how things operate after the curtain comes down. I really enjoyed it, and will certainly be watching it again in the future. (I wish it were better known; with many of the cast having acted in Shakespeare productions in real life, and all of the cast doing such a great job, it deserves more exposure. I was not even able to find a trailer for the film to post with this review, so you’ll just have to take my word for it that it is well worth seeing.)
Year of release: 2012
Director: Simon Reade
Producers: Simon Reade, Guy de Beaujeu
Writers: Simon Reade, Guy de Beaujeu, William Shakespeare (play ‘Twelfth Night’)
Main cast: Oliver Dimsdale, Ferdy Roberts, Nicholas Tennant, Alex Avery, Sandy Foster, Poppy Miller, Victoria Moseley, Gemma Saunders
Between the Pages 
‘Mansfield Park’ by Jane Austen
Posted in Book Reviews, tagged 19th century, adultery, classic, family, romance, social commentary on November 21, 2013| 2 Comments »
At a young age, the virtuous and sweet Fanny Price is sent to live with her Uncle and Aunt Bertram, and her four cousins, the feckless Tom, the moral Edmund, and their flighty sisters Maria and Julia. Fanny falls for Edmund, but keeps her feelings hidden and has to watch as he falls for their friend Mary Crawford, while Maria and Julia are both attracted to Mary’s sister Henry Crawford. As the Crawford and the Bertrams become closer, entanglements and complications ensue.
In all honesty, there is too much story to put into one small summary, and in many ways this is the most socially aware and least romantic novel of Austens. It is also probably the least popular of her novels, and I can understand why, although I did enjoy it.
The thing that struck me about the characters is that none of them are particularly likeable. Fanny is sweet and kind, and Edmund is very moralistic and by far the most thoughtful of the Bertram children, but (for me anyway) they were both ever-so-slightly boring. The rest of the characters don’t have much to redeem them, with Mrs Bertram seeming kind, but practically catatonic for most of the novel, and Mr Bertram being well-meaning, but cold and distant. The other youngsters are pretty self-absorbed, and Fanny’s other aunt, Aunt Norris, is mean-spirited and never misses an opportunity to put Fanny down.
Despite this, there were moments of humour, and the plot was interesting, with a pivotal scene being the play which the youngsters hope to stage, and which is the point at which feelings and attractions start to develop. (Edmund’s horror at the thought of something so scandalous a play taking place at Mansfield Park – even with no audience – was unintentionally funny!) There was a lot of angsty dialogue between the characters, and some scenes were overplayed, but I did like the gradual growth in characters as Edmund tries to excuse some of Mary Crawford’s behaviour which he would have found unacceptable in anyone else, and as Fanny starts to be more confident about giving her own opinion (in the first half of the book Fanny is really little more than an onlooker through whose eyes we see the proceedings, but as the story develops she features more, and becomes more interesting to read about).
Overall, it’s well worth reading, and I didn’t think it the disappointment that some Austen fans do. Fanny, while not the most engaging of characters – she does not have half as much personality as Emma Woodhouse or Elizabeth Bennet for instance – is likeable, and eventually admirable, and the story is well told, even if the ending is predictable to anyone who has read any other of Austen’s books.
(For more information about Jane Austen, please click here.)
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