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Archive for September, 2020

This book tells the history of New York from the 1660s (before it was called New York) through to – almost – the present day. The last chapter is set in 2009.

It mainly follows the fictional Master family through several generations, but other families also appear throughout, with actual real life events as the backdrop. Not always a backdrop actually – the American Civil War and the War of Independence are both huge storylines which affect the main characters greatly.

The novel is over 1000 pages long, but thankfully very readable and not at all dry. If you were interested in learning the history of New York, then this would be an excellent book to read, and by inserting fictional characters who a reader can invest in, it is so much more than just a history lesson. If like me, you just love New York, then I think you would find plenty to enjoy about this book.

I thoroughly enjoyed it, although I would have liked to have had something about World War II and the Vietnam War in there, but it would be impossible to include everything, and this is very much a history of New York rather than America.

It’s very clear that Edward Rutherfurd has researched his subject extensively and as a result the reader is rewarded with a vibrant and colourful history and love letter to one of the most exciting cities on earth. Highly recommended.

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Vivacious Lady stars a young James Stewart as botany professor Peter Morgan and Ginger Rogers as the title character – a nightclub singer named Francey. When Peter and Francey meet, it’s love and first sight and they impulsively get married. However, Peter is then faced with the prospect of telling his conservative parents – not to mention his fiancee Helen! – what he has done. Lots of comedy ensues as he struggles to find the right time, and the couple have to hide their romance.

This film is a sparkling delight from start to finish. James Stewart is just so bloody likeable and sincere in everything he ever did, and Ginger Rogers had perfect comic timing, which made her shine in a hilarious fight scene. Not that she has the monopoly on physical comedy in this film – Stewart’s character getting drunk is terrific (he does a splendid drunken scene two years later in The Philadelphia Story) and there is a wonderful dance scene with Rogers, James Ellison as Peter’s cousin Frank, and Beulah Bondi as Peter’s mother Martha.

With Charles Coburn playing Peter’s father, who takes an instant dislike to Francey, and great turns from Frances Mercer as Helen, this is a great cast who all seem to be enjoying themselves. And this certainly translates to the viewer, because I can’t imagine anyone finishing this film without a smile on their face.

In short, this is called a classic for a very valid reason. If you like films from this genre, then don’t miss this one!

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In the forests of the Pacific Northwest, Ben Cash (Viggo Mortensen) and his six children live off the grid, hunting and scavenging for their food. He ‘homeschools’ the children, and teaches them survival techniques, giving them dangerous knives and other weapons as presents.

However, when the death of Ben’s wife Leslie forces them to take a trip back to civilisation for her funeral, there is a distinct clash of cultures between their way of life and that of Leslie’s family (and indeed Ben’s own family). For while Ben has taught his children how to survive life or death situations, they are socially inept, as demonstrated by their eldest son when he meets a girl who has a crush on him.

The film raises the question of whether what Ben is doing is fair and right for his children, or whether it is a form of abuse. At least two of the children rebel against his authority and he is left with difficult decisions.

It would be easy to hate Ben for what effectively amounts to brainwashing, and for his almost smug attitude towards other people – for example when his sister’s two sons are unable to tell him what the Bill of Rights is, he calls down his eight year old daughter, who breaks it down for them without a second thought. But Viggo Mortensen is such a talented and subtle actor that while it’s one thing to see what damage Ben is – albeit inadvertently and with the best of intentions – doing to the children, we can also sympathise with him to an extent. But we can also understand the frustration of Leslie’s parents (Frank Langella and Ann Down), who are also basically very decent people.

With splendid acting from all concerned, and a compelling central character, this might not be as funny as you might expect, but it’s compelling and never gets boring. It’s almost two hours long, and felt half the time to me. Recommended.

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