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Archive for August, 2021

This was an audiobook narrated by Fenella Woolgar. It’s less than seven hours long and I listened to it over the course of about a week while out on my daily run. I did try listening to this book a few years ago but had to give up because I just found it so bleak and frankly boring; but tastes change and I thought I would give it another go.

The narrator is a woman called Marta, who certainly comes under the category of unreliable narrator. Set in an unnamed (but feels Scandinavian) country, Marta is married to the much older Hector and they have a grown son called Kylan. She is on medication – or supposed to be, but as we learn early on, she is not taking it despite Hector physically giving her her pills each day.

When Marta starts to have hallucinations about a young girl which develop into memories? or imaginings? (we are never quite sure), she starts to doubt her marriage to Hector. She tells Kylan, but he, like the reader, is never sure what to believe. Is Marta finally remembering buried past events now that her medication is not blurring her recall, or has her stopping medication caused her to think things that aren’t true?

In any event, I’m sorry to say that I did not enjoy this book and almost gave up on it a second time. It was relentlessly bleak and unfortunately I found myself bored by it. The first two thirds of the book seemed to consist of Marta wondering around in her own little world, describing the most mundane things. This may well have been deliberate, to illustrate the mundane life which Marta led, but I just couldn’t get bothered about it. Hector and his mother are incredibly overbearing and have obviously dominated Marta throughout her marriage. (The title of the novel comes from a book that his mother gave to Marta when they got married and it’s full of sexist and complete out of date advice about how a woman should please her husband.)

In the last third of the book, things actually started happening and it did pick up a bit. However, for me it was too little, too late. Ultimately I found Marta to be a more frustrating character than a sympathetic one, and the only characters who really seemed halfway nice people were Kylan and his girlfriend Katya (my advice to Katya – remove yourself from this family immediately!)

Expertly narrated, which is one thing going for it. Fairly short, which I was relieved about. Many people have clearly read and enjoyed this according to the many online reviews I have read. I was not one of them though, and I don’t think I’ll be seeking out anything else by this author.

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This book has been sitting on my to-read shelf for years – fourteen to be precise!! I finally decided it was about time I read it, and I kind of wish I had picked it up earlier because it was much more enjoyable than I expected. You would be forgiven for looking at the cover and assuming that it was standard chick-lit fare (not that there’s anything wrong with that), but there’s more to this book than that.

The book is narrated by Sophie Applebaum, who is 12 years old in the first chapter, and the middle child in a loving family. Each chapter jumps on a few years from the one before it and the reader therefore has to fill in the gaps themselves. Additionally each chapter could be read as a standalone short story, which is the same format as Melissa Bank’s previous book ‘ A Girl’s Guide to Hunting and Fishing’.

Sophie focusses a lot on her romantic relationships, but there are also other themes at play – death, illness, lost friendships, job worries and other factors are all part of the story.

I liked Sophie very much. She was very funny, and as she narrates in the first person I have to assume that Melissa Bank is also very funny with a quick sense of humour. The character was identifiable, as were her relationships with her friends and family, especially her two brothers. The story doesn’t really build up to one event, but rather it is slices of life. The somewhat disjointed storytelling might not appeal to everyone, but I really enjoyed it and will look for more by Melissa Bank – and new time I won’t leave it fourteen years to read them!

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Well well. After over a year of being deprived of live theatre, I was absolutely thrilled to be able to go back to the RSC to see this production of Shakespeare’s shortest and arguably most farcical play. This was set in the newly erected outdoor Garden Theatre, which is just about the sweetest theatre I have been in. It has a capacity of 500, but ticket sales were topped at 310, to allow for social distancing. The weather is always a risk with outdoor performances, but regular groundling visitors to The Globe Theatre are used to coping; in any event we were lucky enough to have glorious sunshine on this particular visit.

In essence, The Comedy of Errors features two sets of identical twins – one pair of whom work for the other pair. As children the pairs get separated and one twin from each set ends up with one twin from the other set. When they meet up again as adults – with none of them knowing of the existence of their twin brother, mayhem ensues as they get mistaken for each other. One man’s wife is convinced he has gone off her, one of them is accused of owing money, and there are all sorts of opportunities for both verbal and physical comedy.

The play was updated to give a 1980s feel and look, with scene changes taking place accompanied by a group of four a capella singers, also dressed in 80s clothes.

Part of the challenge must have been to find actors who were sufficiently alike to make the mistaken identities believable, while being different enough for the audience to tell the actors apart. I thought this was achieved perfectly with the two Antiphulos characters (yes, to confuse things further each man has the same name as his twin) being played by Guy Lewis and Rowan Polonski, and the two Dromio characters being played by Jonathan Broadbent and Greg Haiste.

I loved the show, and found myself laughing all the way through – as did the rest of the audience who all seemed to be thoroughly enjoying themselves. I hope the cast had as good a time as we did. I have missed live theatre so much during the Covid-19 pandemic and this was the perfect way to celebrate being able to see a show again.

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Gosh, where to start with this?! The Eighth Life is an epic in every sense of the word. Coming in at over 900 pages of relatively small print, I knew I was either going to lose myself in this one or find it a chore to read. And I lost myself. I loved this historical saga, which takes the reader through an obviously well researched history of Georgia and Russia in the 20th century. It includes WW1 and WW2, the Russian Revolution, Stalin’s regime, independence for Georgia, Gorbachev and so much more.

On a much more personal level however, it is a story of multi generations of one family starting at the beginning of the 20th century and ending in 2007. There are seven sections of the book, each focusing on one particular character, but all with interweaving stories. There are divisions within the family as characters disagree on politics and lives take very different paths.

There is tragedy and heartbreak, but also love and togetherness. It also serves as a love letter to Georgia. In truth, there’s too much in the book to describe in this review, but I loved it and would highly recommend it.

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This was an audiobook narrated by Laura Brattan, with three narrators: Lisa Kallisto, who is a harassed but loving mother and wife, devastated when the 13 year old daughter of her friend goes missing – when Lisa was supposed to be looking after her; an unnamed narrator who, it quickly becomes obvious, is a paedophile; and a third person narrator who concentrates mainly on the police investigation into the missing girl.

Lisa is understandably wracked with guilt when Lucinda Rivety disappears, and more so when it is believed that she was taken by a man who had already taken one girl and subjected her to a brutal rape. As Lisa’s world falls apart, the race is on to find Lucinda, but in so doing, secrets and lies become known and it seems that people are not always what they seem.

I don’t want to give too much away about the story, but I will say that I liked Lisa a lot. I also liked Joanne, the Detective Constable investigating the disappearance. However, there was a side story featuring Joanne wanting to get a breast reduction and I felt this served no purpose in the story and could easily have been edited out.

There was one twist which I didn’t predict and which I thought was well done, but the final denouement seemed rushed, as though the author had just tacked the ending on to get it finished quickly. Having said that, I did enjoy the book for the majority of the time, although most of the characters were not particularly likeable (the aunt of the missing girl was particularly unbearable). There was also another twist which seemed ludicrous to me, and spoiled the book somewhat. Nonetheless, I would read or listen to more by Paula Daly.

On a final note, the narration was excellent.

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