Sleeping Beauties, by Stephen King and Owen King – 4.5/5
401, by Ben Smith – 4.5/5
Emma, by Alexander McCall Smith – 3/5
Just Eat It, by Laura Thomas – 5/5
Blood Bath, by Stephen Leather – 3/5 (audiobook)
Slow Horses, by Mick Herron (4/5)
Hotel on the Corner of Bitter and Sweet, by Jamie Ford – 2.5/5
Ninth and Nowhere, by Jeffery Deaver (5/5) (audiobook)
The Deep End of the Ocean, by Jacquelyn Mitchard (3/5)
The Victims Club, by Jeffery Deaver (3.75/5) (audiobook)
The One, by John Marrs (3/5)
Murder on the Orient Express, by Agatha Christie (4/5) (audio dramatisation)
Dangerous Crossing, by Rachel Rhys (4/5)
The Widow, by Fiona Barton (3.5/5)
Pendulum, by Adam Hamdy (3/5) (audiobook)
Blott on the Landscape, by Tom Sharpe (4/5) (audiobook)
The Man Who Didn’t Call, by Rosie Walsh (3.75/5) (audiobook)
Bodies, by Susie Orbach (5/5)
The Sunday Lunch Club, by Juliet Ashton (3.75/5) (audiobook)
The Stand, by Stephen King (4/5)
So Happy It Hurts, by Annaliese Mackintosh (3.75/5) (audiobook)
The Great Believers, by Rebecca Makkai (5/5)
Amok, by Sebastian Fitzek (3/5) (audio dramatisation)
The Rosie Effect, by Graeme Simsion (4/5)
Our Little Lies, by Sue Watson (3.5/5) (audiobook)
A Spark of Light, by Jodi Picoult (4/5)
The Accident, by C L Taylor (2/5) (audiobook)
Killing Time: One Man’s Race to Stop an Execution, by David Dow (5/5)
Me and Mr Jones, by Lucy Diamond (3/5) (audiobook)
Seating Arrangements, by Maggie Shipstead (2.5/5)
The Stranger Diaries, by Elly Griffiths (4/5) (audiobook)
Blindness, by Jose Saramago (4/5)
Why You Should Read Children’s Books Even Though You are so Old and Wise, by Katherine Rundell – 4.5/5
How I Lose You, by Kate McNaughton (3.75/5) (audiobook)
My Dear, I Wanted to Tell You, by Louisa Young (3/5)
The Flatshare, by Beth O’Leary (4/5) (audiobook)
