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Posts Tagged ‘audiobook’

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The Blurb

You wake. Confused. Disorientated.
A noose is round your neck.
You are bound, standing on a chair.
All you can focus on is the man in the mask tightening the rope.
You are about to die.

John Wallace has no idea why he has been targeted. No idea who his attacker is. No idea how he will prevent the inevitable. Then the pendulum of fate swings in his favour.
He has one chance to escape, find the truth and halt his destruction. The momentum is in his favour for now. But with a killer on his tail, everything can change with one swing of this deadly pendulum…

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My Thoughts

I listened to this as an audiobook, narrated by Luke Thompson who did a great job. The narrative hits the ground running – rather than any introductory back story, it starts slap bang in the middle of an attempted murder. When photographer John Wallace is attacked in his apartment, he feels sure that he is about to die, but manages to escape by the skin of his teeth. However, his attacker is relentless and seemingly able to track John, no matter where he hides. John has to find out who is trying to kill him, and more importantly why – but his journey will take him across an ocean and down some very dark paths.

I really liked the first part of the book – the action was fast moving and the characters were well fleshed out. However, when the story moved to New York, it faltered somewhat for me, as it began to include elements of cyber terrorism (don’t worry – no spoilers here) and it became unbelievable as Wallace seemed to be able to somehow defy numerous attempts on his life, while around him the body count continued to rise.

Hamdy definitely knows how to write an action sequence, and Luke Thompson’s narration matched the pace of the storyline. However, the second half of the story was something of a slog for me. This book is the first in a series, and although it’s easy to see where the set up for the next book comes in, there was enough closure here for anyone who didn’t want to read any more. I fall into that category – this wasn’t awful, but didn’t interest me enough to want to read any more about the Pendulum case.

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Year of first publication: 2016

Genre: Thriller, action, mystery

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Murder on the Orient Express, is one of Agatha Christie’s best known and most loved novels. Hercule Poirot is travelling on the train when one of the passengers, a Mr Ratchett, is murdered. Now Poirot must sift through the evidence and work out which of the other passengers wanted Ratchett dead – and why.

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Although I am classing this as an audiobook, it’s actually more of a dramatisation of the novel, rather than a straightforward narration. Art Malik is the narrator but he in fact he serves mainly to provide links from scene to scene. As lovely and delicious as his voice is, the real star of the production is of course the character of Poirot, performed here by Tom Conti, who imbues his Poirot with just the right amount of eccentricity with a dash of arrogance.

The mystery at the heart of the story is an excellent one, and if I didn’t already know something of the ending, it certainly would have kept me guessing. My favourite performers apart from Conti were Paterson Jospeh and Sophie Okonedo as Colonel Arbuthnot and Mary Debenham respectively, but the whole cast were excellent and really brought the story alive.

I really hope that Audible gives the dramatisation treatment to more of Agatha Christie’s works, as I found this a splendid and enjoyable listen. Highly recommended.

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Year of first publication: 1934 (novel) 2017 (this dramatisation)

Genre: Murder mystery

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thevictimsclub

This was another short story which I listened to as an audiobook – keeps me entertained for 90 minutes while I’m out running. Detective John Avery investigates a case of assault, where a teacher at an exclusive college was drugged at a party and intimate photographs taken without her consent were circulated.

As Avery digs deeper into the case and comes up against a wall of silence at the college, he eventually pieces it all together.

The story, narrated by Scott Merriman, definitely kept me interested. I didn’t enjoy it as much as Ninth and Nowhere, another of Deaver’s short stories, but that one was so brilliant that it was always going to be a lot for this one to live up to.

The story was more or less a straightforward detective story, although there was a twist at the end. The reader/listener goes through the investigation alongside Avery and receives information at the same time as he does.

Overall, I enjoyed it a lot and definitely want to listen to more by Jefferey Deaver.

 

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ninth-nowhere

I listened to this as an audiobook while I was out on a long run – and it is a testament to how good this story is that a run of two hours seemed to go by in a flash!

The story introduces the reader to seven strangers in seven very different situations and then pulls them all together when one violent act takes place.

Without giving away any important plot points, I can say that the story is a stark reminder of the prejudices which people hold and the snap judgements that we can all make. Things are very often not what they seem, and this is perfectly illustrated here.

The story itself is taut and well told at a decent pace, as shorter stories have to be. It’s narrated by J D Jackson, who does a terrific job. I have only read one book by Jefferey Deaver before – the first Lincoln Rhyme novel, ‘The Bone Collector’ – and I remember thinking it was well written but pretty gory (probably the reason I never read any others in the series). This is not particularly gory, despite an act of violence being at the heart of the story, and therefore I would not worry about recommending this to someone who was slightly squeamish.

Basically brilliant, and if Deaver has any other shorter stories available on audiobook, you can be sure I will seeking them out.

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Another audiobook to accompany me while running.

Emma is six months away from her 30th birthday when she finds the wish list she made with her friends at the age of 15 (actually I’d call it more of a bucket list than a wish list) showing all the things they hope to achieve by the time they were 30. To her disappointment, Emma realises that she has not managed to even achieve one item – not even grow her hair long!

So with half a year to go, she decides to complete the list, and along the way she discovers a few things about herself and a few things about her closest friends. It’s typical chick-lit, so of course there is a heavy emphasis on romance and female friendships, with her closest friends Cally and Asha playing fairly large roles in the book.

On the good side, Jane Costello does throw in some good one-liners; it’s an undemanding read/listen  and it kept my attention – I certainly did not find myself drifting off. On the bad side, it’s very predictable – there are sub-plots and I correctly guessed the outcome of all of them (as well as the outcome of the main plot). This is a fairly common thing with chick-lit though, and you always know what to expect when you read a book like this – for a lot of readers, that’s the attraction which is absolutely understandable – so maybe my gripe is not entirely fair.

I felt that Alex Tregear did a reasonable job of narrating the story, even if some of the accents were a bit over the top. I preferred Girl On The Run by the same author, but I would probably listen to another book by Jane Costello and would recommend her to chick-lit fans.

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In this first book in the series set in Southampton, and featuring DI Helen Grace, a sadistic killer is on the loose – one who gets her victims to do the dirty work for her. Two people are kidnapped, and trapped in a remote location with no chance of escape. There is a gun – and a deadly choice. One of them will have to either kill the other or kill themselves, and whoever survives is released. Grace and her team are on a race against time to find the connection between the victims and the person behind them all.

I listened to this as an audiobook, and it did keep me fairly hooked throughout. I thought the narrator Elizabeth Gower did an excellent job – one of the best narrators out of all the audiobooks I have listened to so far. Under close examination, the story itself is quite preposterous – the level of planning that would have had to be done to effect some of the kidnappings would be virtually impossible, and I am honestly not sure how long someone could get away with it the amount of times that the perpetrator here did. Nonetheless as a piece of sheer entertainment, it certainly did it’s job.

I am unsure what I think about Helen Grace – she is not an easy character to warm to, but I think that that is probably deliberate. Her team respect her, but don’t necessarily like her, and the things that make her hard for her colleagues to like are the same things that make it hard for the reader/listener to like. She is interesting though, which is my main requirement for a lead character. Out of the rest of her team, only two are really fleshed out but maybe we will get to know others better later in the series.

I would certainly listen to more books in this series; having said that, this book took the reader/listener to some dark places and I do feel that I need to cleanse my palate with something a bit lighter first.

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On September 11th 2001, Lucie Jardine is in Manhattan desperate to get away from her abusive and controlling husband. Suddenly New York and the world is changed forever by the attack on the World Trade Centre, and Lucie stumbles across an an opportunity to change her life and take on a new identity. Thinking that she has found safety at last, it becomes clear that the new life she has walked into holds it’s own dangers…

I listened to this audiobook, and it did keep me going during my long runs. I found the premise very interesting, and certainly for the first part of the story it held my interest. However, I did feel that it lost its way a bit at the end, and the story finished on a disappointing note.

The book was narrated by Star Phoenix and honestly I’m not sure if I would listen to anything else she narrated. At first I thought her voice would be annoying but I got used to it when she was narrating in the third person. However, when she attempted voices, it sometimes felt like taking a cheese grater to my ears. She voices Lucie in a sing-song little girl voice, and Lucie’s husband Curtis was given an incredibly grating voice. Also there were references to Lucie’s accent having a Scottish lilt (the character is from Scotland orignally) yet she spoke in a completely American accent! Only a little niggle maybe, but a niggle nonetheless.

Overall, I think I would possibly read more  by this author, but I would rather read a physical book, or listen to a different narrator, but if you do like thrillers, this might be something you would enjoy.

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