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Posts Tagged ‘comedy’

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Nancy (Lake Bell) is 34, single and fed up of trying to find Mr Right. On a train to her parents’ 40 wedding anniversary party she meets with another passenger Jessica (Ophelia Lovibond) who leaves the book she is reading – a self-help book called 6 Million People and You – for  Nancy, because she thinks Nancy should read it. However, it turns out that Jessica was going on a blind date, and both she and her date were going to hold a copy of the book so that they could recognise each other. Jessica buys another book but meanwhile her date Jack (Simon Pegg) sees Nancy with the book and assumes that she is the girl he is meant to be meeting.

Rather than put him straight, Nancy goes on the date and the two of them get along brilliantly. But of course, the truth must out and that’s when things take a turn. A run-in with a creepy former schoolfriend of Nancy (Rory Kinnear) and Jack’s ex-wife and new partner (Olivia Williams and Stephen Campbell Moore) complicate matters even further…

I really enjoyed this film. I think it’s fairly obvious from the beginning how it’s going to turn out in the end, and anyone who has seen a rom-com before will know what to expect. But getting there is good fun – and it is great to see a romantic comedy with believable characters and not a couple of 20 somethings that look like they have just sashayed in off the catwalk (not that the two main leads aren’t attractive, because they both definitely are, but they are also relatable).

Lake Bell nails the English accent – if I didn’t know that she was American in real life, I would have thought she actually was English. And Simon Pegg was ideal in the role of a  man who has been through a bitter divorce and is hoping to come out of the other end of a dark tunnel. Sharon Horgan is great as Nancy’s sister, and I really liked Ken Stott and Harriet Walter as her parents.

I did think Olivia Williams was slightly mis-cast as Jack’s ex-wife, although she takes only a small role so it did not detract from my enjoyment. On the flip side, Rory Kinnear was deliciously creepy as the obsessed schoolmate of Nancy, who knows the truth about her identity.

As mentioned before, the ending was always fairy predictable but I liked the way it was done. If you like rom-coms, or British comedy in general, I’d recommend giving this one a go.

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Year of release: 2015

Director: Ben Palmer

Writer: Tess Morris

Main cast: Simon Pegg, Lake Bell, Rory Kinnear, Sharon Horgan, Ken Stott, Harriet Walter

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Full disclosure: I was on a long flight and simply looking for an undemanding film to pass a couple of hours. I stumbled across Table 19, which I had never even heard of before; however, it featured Lisa Kudrow and Stephen Merchant and I thought it might be worth a watch. Also, I like films that play out in real time or at least over the course of one day or night, so I put this on, not sure what to expect.

The story opens with Eloise (Anna Kendrick) who has been ousted from her role as bridesmaid at her friend Francie’s wedding, due to being unceremoniously dumped by the best man Teddy – who is also Francie’s brother. Deliberating whether or not she should still attend the wedding at all, Eloise eventually decides to go and finds herself seated at Table 19. It soon dawns on everyone at the table that they are the people who nobody really wanted there, the people who were invited out of a sense of duty, the people who should have had the common sense to say they couldn’t attend.

As well as Eloise, there are Diner owners Bina and Jerry Kepp (Lisa Kudrow and Craig Robinson), Facebook friends with the groom’s father, who owns a chain of diners; Francie’s childhood nanny Jo (June Squibb), Renzo Eckberg (Tony Revolori), whose family are distantly acquainted with the wedding party and who has come to the wedding with the hope of finally getting a girlfriend; and Walter Thimble (Stephen Merchant) who is a nephew of the groom and currently on parole.

After an awkward first meeting, the group get to know each other – secrets are revealed, truths come to light – and they start to actually quite like each other. Eloise meets an enigmatic stranger named Huck, but he may not be all he seems…

This film was a very pleasant surprise, and I’m not sure how or why it slipped under the radar and is so little known. Of course I picked it because it was the sort of film I like, but I don’t think I expected to like it quite as much as I did. All of the characters were very well played, and I ended up liking and finding sympathy for each one of this mismatched crew of new friends.

It mixes comedy with poignancy very well and I liked the ending a lot too. Yes, it’s a bit quirky and certainly not the kind of thing everyone likes – if action movies are your thing, then this is probably not the film for you. But if you like a bit of human drama and characters who aren’t afraid to foul up sometimes and laugh at themselves, give it a try!

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Year of release: 2017

Director: Jeffrey Blitz

Writers: Jay Duplass, Mark Duplass, Jeffrey Blitz

Main cast: Anna Kendrick, Lisa Kudrow, Craig Robinson, June Squibb, Stephen Merchant, Tony Revolori, Wyatt Russell,

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If you haven’t heard of this musical, then all I can say is, where have you been hiding for the last  few years?! Causing fits of laughter, receiving accolades and plaudits aplenty and managing to offend a few people along the way, The Book of Mormon has carved out a huge name for itself, not least because it was written by South Park creators Trey Parker and Matt Stone.

I was lucky enough to be able to see this show on Broadway in New York, and wow! What an experience! The story is fairly straightforward – after a brief intro explaining what The Book of Mormon actually is – we are plunged into the narrative of two young Mormon missionaries, Elder Price and Elder Cunningham, who are given the task of preaching the Mormon religion in Uganda. However, when they arrive in the remote Ugandan village, they discover the inhabitants are more concerned with their own problems, such as famine, AIDS and trying to escape the tyranny of the local warlord.

As Elder Price becomes increasingly frustrated with his inability to get through to the locals, as well as his annoyance at being teamed with the misfit Elder Cunningham, it is in fact the said Elder Cunningham who gets through to the villagers in a most unconventional manner, leading to chaos – and much hilarity.

It must be said – as if everyone didn’t already know – that this is most definitely not a show for children or for the easily offended. It relentlessly takes the mickey out of organised religion (there is a song in it called F*** You God), there is a hefty dollop of swear words throughout, and references to all kinds of lewd and illegal acts. So there are plenty of reasons to think that this show wouldn’t have been a huge success…and there are plenty of reasons why it is absolutely a success and is now in its sixth year on Broadway.

In the production we saw, Mancunian actor Don Simpson played Elder Price – he was excellent, and had a wonderful singing voice and perfect comic timing. The more eccentric Elder Cunningham was played by Brian Sears, who was hilarious and had the whole audience rooting for him, bringing a sense of vulnerability to the character.

Nabulungi, beautiful daughter of the Ugandan doctor and the villager who is most enthusiastic to learn more about The Book of Mormon is played by Kim Exum. She too had a gorgeous voice and was exactly as sweet yet feisty as the role demands. The aforementioned Doctor Mafala was played by Billy Eugene Jones, and has the honour of getting to sing the last – and possibly the funniest – song lyric in the whole show (I’m not spoiling it for you here). The evil General was played by Derrick Williams, complete with yellow cowboy boots and utter confusion at Elder Price’s attempts to convert him.

There are some excellent songs in the show, and although I didn’t know any of them prior to attending, they were all very catchy – my favourites being the opening number Hello!, as well as You and Me (But Mostly Me), Sal Play Ka Siti, and Spooky Mormon Hell Dream, which accompanied an incredibly funny scene set in hell, as the title would suggest (complete with the characters of Hitler, Jeffrey Dahmer, Genghis Khan and…Johnny Cochran.)

Overall, I really enjoyed this show, and the rest of the packed auditorium also seemed to love it. I would dearly like to see this show again and am already looking into the possibility of seeing it in London’s West End.

Highly, highly recommended (but not if you are easily offended!!)

(For more about this production, please click here.)

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Shit-Faced Shakespeare has been running in America and the UK since 2010, and has enjoyed great success. The concept is simple – a small group of actors (six in this case, plus the compere) stage an abridged version of a Shakespeare play, with the twist that one of the cast is drunk. Well…shit-faced actually. Before the show, the compere told the audience that the cast member (in this case the actor playing the part of Claudio, although you are not told beforehand which cast member is going to be drunk, and the cast rotate that particular duty from show to show) had had several beers and half a bottle of Tequila prior to the performance.

What followed on this occasion was a truly hilarious hour – yes the show is just an hour long, and there are LOTS of liberties taken with the Bard’s script! – where Claudio was clearly drunk, fluffing lines, paraphrasing, whipping off his sunglasses at will (don’t ask, it made perfect sense at the time), interrupting other actors and basically causing uproar. The other five cast members were forced to work around his unpredictability and improvise, but it was fairly clear that none of them were taking it very seriously in the first place – and this just made it even funnier.

Needless to say that if you are planning or hoping to see a faithful production of the play, this is NOT the show for you. For one thing, the characters of Dogberry and his cronies are completely shaved from the script, and in this version the bad guy is Don Pedro, not his brother Don John (who also is not in the play). A male audience member is dragged onto stage to play the part of Margaret – and to be fair, he certainly got into the spirit of things! On the other hand, if you are looking for a lot of belly laughs, and you are not easily offended, then I would highly recommend this show. It’s probably worth pointing out that there is a lot of swearing and crude behaviour in this show, but if that doesn’t bother you, then definitely try and catch Shit-Faced Shakespeare if you get chance. I will certainly go again if the opportunity arises!

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For this performance of the much loved Shakespeare play, the action has been moved to Mexico in 1910, shortly after the Mexican revolution. Soldier’s Don Pedro, Benedick and Claudio are returning from the war, with Claudio anxious to see his love Hero, while Benedick and Hero’s cousin Beatrice have a snippy, sarcastic relationship. The audience of course know that they love each other, even if Benedick and Beatrice have yet to realise it themselves. Fortunately, Don Pedro and the rest of their friends scheme to bring the two together, and I don’t think it’s giving anything away to say that despite their reluctance, they do of course work things out in the end. Along the way however, Don Pedro’s scheming sister Don Juana (as opposed to Don John) schemes to break up Hero and Claudio which causes their wedding to be wrecked when Claudio falsely believes that Hero has cheated on him. Bumbling and inept detective Dogberry fortunately steps in to save the day, and naturally the situation resolves itself.

I was very intrigued to see how the more modern Mexican setting would change the staging and perhaps alter the focus of the play, as opposed to it’s original setting in Messina. Fortunately although there was a more ‘brutal’ atmosphere to the staging, the comedy and the verbal sparring between Beatrice and Benedick remained safely intact, and I thought Beatriz Romilly and Matthew Needham were excellent in their respective roles. I also really liked Steve John Shepherd as Don Pedro. Anya Chalotra brought just the right amount of sympathy and vulnerability to the role of Hero, and Claudio was played well by Marcello Cruz (Claudio is not my favourite character in this play; I always thought he was gullible, and disloyal to the lady he was supposed to love – Cruz managed to straddle the line between displaying that and yet somehow getting the audience onside at the end).

The role of Dogberry was played by Ewan Wardrop – for me, Dogberry is one of the funniest characters, but also one of the easiest to overplay…he could easily tip over into being annoying, but Wardrop was note-perfect in this production.

Plenty of Mexican music added to the atmosphere, with two musicians constantly on stage and shown in silhouette. The props were also clever, with Don Pedro and Claudio strolling around in stilts of a sort, and with wire horses (no, I haven’t described that very well, but trust me, it worked).

All in all, this was a very enjoyable and very imaginatively staged production of the play, which shows how Shakespeare can retain all his original beauty yet still be adapted to different times and settings.

If you are a Shakespeare fan (or even if you’re not) I would recommend you try and catch this production while it’s on.

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The full title of this play is actually Vice Versa (Or the Decline and Fall of General Braggadocio at the Hands of his Canny Servant Dexter and Terence the Monkey). And if that doesn’t give you the idea that you are in for a few hours of fun, laughter and daftness, then I don’t know what will.

The play is a new script by Phil Porter, described as ‘lovingly ripped off from the Roman comedies of Plautus’. The story revolves around the pathetic and self-deluded General Braggodocio, who has taken as his concubine the unwilling Voluptua. She, meanwhile is having a clandestine relationship with her true love Valentin, and the General’s servant Dexter has to hide the fact from her boss, while simultaneously scheming to get Voluptua, Valentin and herself out of the General’s clutches.

I can honestly say that from the moment the play started until the moment the cast took their final bows, I had a constant grin on my face, and it is no exaggeration to say that I laughed out loud genuinely and frequently – the whole audience seemed to share a real enthusiasm and found the play extremely funny.

Felix Hayes certainly had no qualms about sending himself up in the role of General Braggadocio, and was terrific in every scene. The whole supporting cast were fantastic too, with Byron Mondahl and Steven Kynman great as his two inept servants Omnivorous and Feclus. Ellie Beaven and Geoffrey Lumb also shone as lovers Voluptua and Valentin, and Nicholas Day was truly hilarious as Philoproximus Braggadocio’s neighbour who is complicit in the the double crossing). Special mention also to Kim Hartman who played a prostitute called Climax(!) However, the main plaudits surely have to be reserved for Sophie Nomvete as Dexter – not only did she have the job of tying the whole story together and keeping the audience involved, she also had the biggest role and the most dialogue – she never missed a beat, and the unpacking the shopping scene (watch the show! I don’t want to spoil this scene for you!) was incredibly funny, well written and brilliantly delivered.

This play actually holds the records for the most amount of props (244) used in an RSC production, and indeed they were brought out with frequency. The whole production was colourful and brash, with a lot of physical ‘slapstick’ style comedy as well as numerous double entendres and puns.

I loved the production and would happily have sat through it again straight away. I definitely recommend that anyone who enjoys a good solid belly laugh sees this production while it’s on!

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La Cage Aux Folles tells the story of Georges, a night club manager (played here by Adrian Zmed) and his romantic partner and star attraction Albin (John Partridge). Happily together for 20 years, their lives are thrown into disarray when Georges’ son Jean-Michael (Dougie Carter) wants to marry a young woman named Anne, but her ultra-conservative parents do not approve of homosexuality (or much else it appears). Jean-Michael wants Albin to stay away when Anne and her parents visit, as they believe that his biological parents are still married. This naturally leads to devastation for Albin, who has raised Jean-Michael as his own for years, and also paves the way for a hilarious evenings of misunderstanding, mistaken identity and shocking revelations.

During the show, the audience are treated to a smorgasbord of highly imaginative, colourful and flamboyant dances by Les Cagelles, the dancers at Georges’ nightclub – a group of young men who dress like beautiful young woman. Albin of course is the club’s star with his alter-ego Zaza, a bitchy, vulnerable and extremely funny drag queen. Stage veteran Marti Webb also appears as restauranteur and friend of the couple, Jacqueline.

I loved the show – the songs, which include the showstopping I Am What I Am as well as others like With Anne On My Arm, Look Over There and The Best of Times, were all performed to perfection. John Patridge’s rendition of I Am What I Am moved me to genuine tears.

Despite the subject matter, this is most certainly a comedy, and Partridge and Zmed make the most of their roles, with Patridge (as Zaza) riffing with the audience for some time in the first half of the show. The more farcical elements are in the second half with the visit of Anne and her parents.

The show got a standing ovation at the end, and it was well deserved. If you want to hear some beautiful musical numbers, watch some spectacular dancing and have a good belly laugh, you should definitely try and see La Cage Aux Folles!

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