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This was an audiobook narrated by Lisa Coleman, and is the seventh book in the DCI Tom Douglas series. I have previously listened to another book which is later in the series than this one, and while there are personal aspects of Tom’s life included in the storyline, it is easy enough to follow as a standalone novel, or if you do the same as me and read/listen out of order.

Tom and his team are called in to investigate when a young woman is found dead at a frozen lonely scene. Who is she, and how did she get there? Did she commit suicide or was she murdered? None of these questions are easily answerable.

Meanwhile, a young woman named Callie is trapped in a miserable relationship with an abusive and parasitic boyfriend. When she decides to travel to Myanmar to honour a promise to her grandfather, she befriends an older couple who take her under her wing, and help her realise that she needs to end things with Ian. But when she tries to do so, things take a sinister turn.

And in a lonely kitchen, two women sit and eat their meals in almost complete silence, trapped as they are in a prison of their own making. What are their stories and how did they arrive at this low point?

Slowly all the threads of the stories come together…

I’ll start with the good parts of this audiobook, including the narration. Lisa Coleman did an excellent job, and managed to distinctly voice all of the characters.

I also really like the character of Tom and all of his colleagues. They are believable and likeable – and deserve a better storyline than the one they had here.

Unfortunately the twists and turns in this book were so well signposted that the characters – Callie mainly as large parts of the book are told from her point of view – just end up coming across as unutterably stupid and naive. Without giving anything away, I wanted to shake her for putting up with her awful boyfriend, and then for her subsequent actions, which I won’t reveal here. Many of the characters apart from the officers – and maybe this is because the police characters have had several books through which to develop their characters – were like cardboard cut outs, and never easy to invest in. And there was a huge dollop of coincidence, which never rang true. I did listen to the end, but found myself underwhelmed by the conclusion, which left some strands of storyline hanging.

Despite all of the above, I would consider listening to more in the series, because the investigators were great, and according to other reviewers who have read the whole series, this is a particularly weak book compared to others. So maybe at some point I will pay another visit to Tom Douglas and co.

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I listened to this audiobook over the course of a week. It’s narrated by Lisa Coleman, who did an excellent job. This psychological crime thriller is apparently the eighth in a series featuring DCI Tom Douglas, and had I known that going in, I may well have skipped it; I have always felt that book series needed to be read in order from the beginning. However, it didn’t matter one iota – clearly there is a backstory to Tom’s personal life but it’s all explained clearly enough, and this book could actually serve as a standalone novel.

The story centres, and is largely narrated by, Anna Franklyn – mother, wife, headteacher, and a respected member of the community. As she is driving to work one day, Anna hears a voice from her past on a phone in radio show – that of her ex-boyfriend Scott, who says he is going to phone back in a weeks time and tell the story of himself and his lost love ‘Spike’ and their tragic relationship. The only problem is….Scott died 14 years earlier, taking Anna’s most guarded secrets with him…and now it seems he is here and ready to expose her past. Anna has a week to find out what happened to Scott, and to stop him ruining her life.

The narrative jumps forwards and backwards between Then (14 years earlier) and Now, and also includes chapters written in the third person which focus on the police investigation.

I actually really enjoyed this book. Yes, it is fairly implausible, and I did guess the twist about halfway through, but it was a well told story which did a good job of illustrating how a young naive woman found herself in such a predicament all those years ago. I HATED the character of Scott, but he was far from the worst character in the story. I felt sorry for Anna, but also wanted to shake her and tell her to get a grip! I’m not going to reveal any spoilers because the ending, although partly predictable, was still written well, and there was in fact one final twist which I didn’t expect.

My only niggle is that sometimes things were over explained. For example, there is a poker game that happens at one point where every play seems to be explained in detail. Unless you play / understand poker, this bit is all unnecessary filler – it would be enough to explain who won and who lost. But still – a minor niggle.

Overall, excellent narration and an enjoyable storyline (kept me listening for the most part anyway) made me give this a thumbs up, and I would definitely read / listen to moron this series.

 

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