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Skunk Cunningham (Eloise Laurence in her debut role) is a young diabetic girl living with her older brother Jed and her single father Archie, in an anonymous city in London. Also living in the house is Kasia (Zana Marjanovic) a babysitter/housekeeper, who has an on again-off again relationship with boyfriend Mike (Cillian Murphy). Their neighbours are the Buckleys (Denis Lawson and Clare Burt) and their emotionally handicapped son Rick (Robert Emms) and the Oswalds (widowed father Bob, and his three wayward daughters, Saskia, Susan and Sunrise).

When Skunk witnesses a mindless act of violence, her life starts to change. As the film progresses, the reason for the attack she sees is revealed and events in the little cup-de-sac soon spiral out of control.

Anyone who has seen this film or read the book it is based on, and who has also read/watched To Kill a Mockingbird, will see the comparisons between the two. After watching the film, I found an online interview with Daniel Clay who wrote the book ‘Broken’, where he said that he took the characters of TKAM as a starting point for his novel.

Despite the bleak subject matter (and it only gets more bleak as the story progresses), I really enjoyed this film. Tim Roth is, as ever, excellent and is by far the most likeable adult character in the show – a hard-working solicitor, who is trying his hardest to bring up his children well, while also attempting to resolve the tensions in his road.

However, the whole cast is superb and nobody puts a foot wrong. Rory Kinnear is brilliant as the brutal, impulsive and reckless father of the Oswald girls (who are all, frankly, despicable). Cillian Murphy is an actor who has slipped under my radar until now,  but I enjoyed his performance a lot.

Plaudits have to be given to young Eloise Laurence however, as Skunk, upon whose shoulders the story largely hangs. I loved the easy father-daughter relationship between her and Archie, and her acting was incredibly natural and believable – hard to believe it was her screen debut.

If I had any criticism, it would be that there was perhaps just a little too much going on towards the end – that said, I was completely absorbed in what was unfolding, and did not get bored or restless at any point.

I’m not going to give away the ending, but I will say that while some reviewers didn’t like it, I definitely did. I thought it was beautifully and sensitively done, and there was a definite lump in my throat (actually, I just out and out cried!)

Overall, an excellent acting debut, solid acting from the whole cast, and genuine tension make this a must-see.

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Year of release: 2012

Director: Rufus Norris

Producers: Peter Hampden, Norman Merry, Joe Oppenheimer, Peter Raven, Wendy Bevan-Mogg, Tally Garner, Bill Kenwright, Dixie Linder, Nick Marston

Writers: Daniel Clay (novel), Mark O’Rowe

Main cast: Eloise Laurence, Tim Roth, Rick Buckley, Rory Kinnear, Martha Bryant, Faye Daveney, Clare Burt, Denis Lawson, Bill Milner, Rosalie Kosky, Zana Marjanovic, Cillian Murphy, George Sargeant

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Breaking the Mould is a made-for-television film, about the development of penicillin.  When people think of penicillin, they automatically think of Alexander Fleming, and this film is an attempt to tell the true story behind the medical breakthrough and credit those who were very involved, but largely forgotten.  It must be said that Fleming does not come out of this film too well!

Initially I watched it only because Dominic West was in it, and I admit that I did wonder if it would hold my attention, but it was actually very interesting.  West plays Howard Florey, the Australian pharmacologist and pathologist, who in 1938, was interested in Fleming’s earlier discovery of penicillin, which Fleming had abandoned several years earlier, believing that it had little application.  Together with Ernst Chain, a German biochemist, and scientist Norman Heatley, Florey determined to work out how to manufacture large quantities of penicillin.  Despite problems with funding and money flow, the team battled on.  Florey was also again patenting the formula, as he believed that to do so would make the cure too expensive for many people.

After all of their efforts, Fleming – who is portrayed as something of a glory-hunter  – ends up taking most if not all of the credit for what the others have achieved, although Florey and Chain did share the Nobel Prize for Physiology or Medicine with Fleming, in 1945.

The film tells the story simply, and held my interest throughout.  It showed the human element of the story, as well as the scientific parts, by depicting the early trials which were carried out on hospital patients (not always with successful results).  As the events took place during World War 2, everyone was very aware of the possibilities for treating wounded soldiers, and were equally anxious that the formula for extracting penicillin did not fall into enemy hands.

At an hour and 20 minutes long, this is an informative and interesting film, which made me want to learn more about the men behind the science.

Year of release: 2009

Director: Peter Hoar

Producers: Charlotte Bloxham, Pier Wilkie, John Yorke

Writer: Kate Brooke

Main cast: Dominic West, Oliver Dimsdale, Joe Armstrong, Denis Lawson, John Sessions, Kate Fleetwood, Amanda Douge

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