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Posts Tagged ‘dual timeline’

In the summer of 1924, a young poet, tortured by his experiences as a soldier in World War I, kills himself at a party at the grand Riverton House, witnessed by Hannah, the aristocratic lady of the house, and her sister Emmeline, who have never spoken to each other since.

In the present day, a film company are making a movie about the events and approach 98 year old Grace, Hannah’s former lady’s maid, the only person still living who was there that night. As Grace looks back over her life, the story of the family’s life at Riverton and the events that led to the tragic night of the party are revealed.

I was looking forward to reading this book, I like a bit of historical fiction when I’m in the mood, especially if there is an element of mystery thrown in. However, I found that the story took ages to get going and at 150 pages in (the book is just under 600 pages long) I was still waiting for the story to really get started, and found myself getting slightly bored. When the story did pick up though, I started to really enjoy it, and the last quarter rattled along brilliantly, with an excellent ending that kept me guessing.

The writing style flows well, which is what kept me going even while I was waiting for something to happen; I would say that the book could have been about 150 pages shorter throughout and that would have kept the story tighter. I did like the dual timelines, with the older Grace looking back over her life, but the younger Grace’s story being told as though it was in the present not the past. This also meant that there was a lot of foreshadowing although we know from the very beginning that it is going to end with the night of the infamous party.

Overall a decent read, and an author I would probably explore further.

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This was an audiobook narrated by Lucy Price-Lewis, who did an excellent job.

The story revolves around Rose Tinsley, whose 8 year old brother Billy was murder 16 years earlier and as a result, Rose has severe psychological problems. Rose, and her whole village were convinced of who murdered Billy and that the right person is in prison for the offence, but her belief is shaken to the core when she finds something shocking in her elderly next door neighbour’s house. Could it be that the person serving time for the murder is in fact innocent? To find out the truth, Rose must face her fears and examine the past.

The book has two timelines – 16 years earlier which is narrated in the third person, and the present day, which is narrated by Rose. In the earlier timeline, an 18 year old Rose meets Gareth, who is ten years older than her. At first he seems like the perfect charming boyfriend but as times goes on, it becomes clear that he is not all he appears.

This is the third book I have read by K L Slater, and unfortunately I have yet to find one that I really enjoy. As mentioned earlier, I did think the narration was done well by Lucy Price-Lewis, but the storyline itself seemed very repetitive. The main issue I have with this author is that in all her books (at least the ones I’ve read) the women are very weak, and quite frankly spineless and not able to see what is staring them in the face. Meanwhile the males are generally so awful that they are almost like a caricature and just serves to heighten the issue with the women not able to see through them.

The one positive thing I will say was that I liked the resolution to the mystery and I did enjoy Rose’s last scene in the book. Other than that, I found it fairly annoying with dialogue that seemed to go round in circles. There are LOADS of positive reviews for this book online, so it may be that this author is just not for me, but I think I’ll be giving her other books a miss.

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This was an audiobook, narrated by Olivia Dowd, Aiofe McMahon, Chloe Massey, Sarah Owens, Rich Keeble and Jot Davies.

Jules, editor of a popular online magazine, and Will, host and hero of a reality tv show called ‘Survive The Night’ are getting married after a whirlwind romance. The destination is a remote Irish island, which is subject to high winds and rough weather. The narration switches between characters, including Jules herself, her half-sister and bridesmaid Olivia, the ‘plus one’ Hannah, best man Jonno and the wedding planner Aiofe.

It becomes clear that all of the guests have a secret from their past and there is a lot of tension simmering beneath the glittering surface. The timeline switches between ‘now’ – the wedding day and evening, and the day before when guests were arriving.

I liked the premise of the book and I generally do enjoy multiple narrators as it can be interesting seeing the same events from different perspectives. But while this started off well, it slipped into ridiculousness with too many coincidences being revealed towards the end. Also, almost all of the characters were just horrible people. I did like Hannah, but pretty much everyone else was awful.

I had high hopes for this one, but came away feeling disappointed.

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I listened to this audiobook over the course of a week. It’s narrated by Lisa Coleman, who did an excellent job. This psychological crime thriller is apparently the eighth in a series featuring DCI Tom Douglas, and had I known that going in, I may well have skipped it; I have always felt that book series needed to be read in order from the beginning. However, it didn’t matter one iota – clearly there is a backstory to Tom’s personal life but it’s all explained clearly enough, and this book could actually serve as a standalone novel.

The story centres, and is largely narrated by, Anna Franklyn – mother, wife, headteacher, and a respected member of the community. As she is driving to work one day, Anna hears a voice from her past on a phone in radio show – that of her ex-boyfriend Scott, who says he is going to phone back in a weeks time and tell the story of himself and his lost love ‘Spike’ and their tragic relationship. The only problem is….Scott died 14 years earlier, taking Anna’s most guarded secrets with him…and now it seems he is here and ready to expose her past. Anna has a week to find out what happened to Scott, and to stop him ruining her life.

The narrative jumps forwards and backwards between Then (14 years earlier) and Now, and also includes chapters written in the third person which focus on the police investigation.

I actually really enjoyed this book. Yes, it is fairly implausible, and I did guess the twist about halfway through, but it was a well told story which did a good job of illustrating how a young naive woman found herself in such a predicament all those years ago. I HATED the character of Scott, but he was far from the worst character in the story. I felt sorry for Anna, but also wanted to shake her and tell her to get a grip! I’m not going to reveal any spoilers because the ending, although partly predictable, was still written well, and there was in fact one final twist which I didn’t expect.

My only niggle is that sometimes things were over explained. For example, there is a poker game that happens at one point where every play seems to be explained in detail. Unless you play / understand poker, this bit is all unnecessary filler – it would be enough to explain who won and who lost. But still – a minor niggle.

Overall, excellent narration and an enjoyable storyline (kept me listening for the most part anyway) made me give this a thumbs up, and I would definitely read / listen to moron this series.

 

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Another audiobook which I listened to while running. Sue and Brian Jackson’s daughter has stepped in front of a bus and lies in a coma. Brian is convinced it was an accident, but Sue believes that Charlotte intended to kill herself and is determined to find out why. As she conducts her own investigation, the story is interspersed with her diary flashbacks which reveal an horrifically abusive relationship with her ex-boyfriend James. Sue believes that after 20 years, James has tracked her down and that her life – and her family’s life is in danger.

Honestly I wanted to like this book. I used to love psychological thrillers and still do sometimes, but there seems to be so many of these kinds of books around at the moment, and consequently there are a lot of cliches – and this book contains them all. James is such a monster that he ends up being a caricature, and Sue was so wishy washy that (in the present day storyline) I found it hard to feel much for her at all. Brian is a background character, who the reader never really got to know, and even though the book is about Charlotte and what may have driven her to try and kill herself, I ended up feeling that she was never a properly developed character. Maybe I’m sick of reading about abusive men and the women who forgive them time and time again – it seems to be a trope in fiction drama lately.

Certain parts of the story did keep me listening, but some situations were ludicrous and the ending was ridiculous beyond belief. I could say why, but it would mean revealing spoilers.

Anyhow, despite the somewhat scathing review, this wasn’t all bad. But it certainly wasn’t all good. I’ll probably be giving this author a miss from now on…but there are plenty of favourable reviews around for this book, so don’t let me put you off!

A note about the narration: I did think Jenny Funnell did a good job, but not good enough to cover the flaws in the story!

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Year of original publication: 2014

Genre: Psychological thriller

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The Blurb:

We’ve all seen him: the man – the monster – staring from the front page of every newspaper, accused of a terrible crime. But what about her: the woman who grips his arm on the courtroom stairs – the wife who stands by him? Jean Taylor’s life was blissfully ordinary. Nice house, nice husband. Glen was all she’d ever wanted: her Prince Charming. Until he became that man accused, that monster on the front page. Jean was married to a man everyone thought capable of unimaginable evil. But now Glen is dead and she’s alone for the first time, free to tell her story on her own terms. Jean Taylor is going to tell us what she knows.

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My thoughts:

First, let me warn anyone who is thinking of reading this, that the blurb on the back cover – as above – is somewhat misleading. Second – I’m in two minds about this one. I definitely think Fiona Barton can write, and the characters were all well drawn and fleshed out.

There are two timelines – 2010, which for the purposes of this novel is the present day, and 2006, which is when the little girl that Glen Taylor was accused of abducting, disappeared. The vast majority of it actually takes place in 2006, with the 2010 storyline concentrating on a journalist called Kate who wants to get Jean’s story.

The chapters are told from separate points of view – ‘The Widow’ – Jean Taylor; ‘The Reporter’ – Kate; ‘The Detective’ – Bob Sparkes who was in charge of the original investigation and is still haunted by the matter years later; and ‘The Mother’ – Dawn, the mother of the abducted child. I liked Bob and I quite liked Kate, but Jean and Dawn both left me cold.

At times the book was very suspenseful, but at times it did drag slightly as there seemed to be a lot of back-and-forth, and did-he/didn’t-he, with the same ground being trodden over. But despite that, I did quite enjoy this book and would almost certainly read more by Fiona Barton. It doesn’t have the twists and turns of a book like Gone Girl, but for my money it’s better written than Gone Girl (and as with every other psychological thriller which has been released since that book, this one has been compared to it – ignore the comparisons, it’s totally different).

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Year of first publication: 2016

Genre: Psychological drama

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Set across two different timelines, this is the story of Henry Lee and the girl he loved and lost…

In 1986, Henry is walking past the Panama Hotel in Seattle when he learns that a large amount of items which had been stashed there by Japanese American families, who were on their way to internment camps during WWII, have been discovered in the basement of the building. As Henry sees a distinctive parasol, he is reminded of Keiko, the Japanese girl who was his first love.

My thoughts

I really expected and wanted to like this book, so I am a bit disappointed to say that I found it…underwhelming. I can’t say that I actively disliked it, but it never really grabbed me. The historical parts – about Japanese residents in the USA being moved to internment camps (supposedly for their own safety, but everyone knows that it was because Japan fought against America in WWII – although most of those put in the camps were as American as anyone else) were fascinating to read about, but I didn’t feel like the characters themselves were ever well enough described for me to invest in them or to care too much about them – there was little characterisation and I never really got to ‘know’ them.

The writing itself felt almost like the wind of writing aimed at a child – simple and never very in-depth. were it not for the subject matter, this almost would feel like it was aimed at children, especially compared to other fiction books written about WWII.

So overall, the story itself gets a thumbs up for me, but the execution of said story….not so much a thumbs down as a thumbs sideways. Ho hum.

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In 2004, during a weekend away for her father Sean’s 50th birthday celebrations, three year old Coco Jackson disappears – apparently taken from the house where she slept with her twin sister Ruby and other children in the middle of the night. A huge media campaign follows but Coco is never found.

Twelve years later, following the sudden death of Sean Jackson, the truth about what really happened on that weekend is slowly revealed as his family and friends prepare for his funeral.

I really enjoyed this book a lot. Psychological thrillers are a favourite genre of mine but they can also be a real let-down when they venture into the realms of the ridiculous. However, this book seemed actually plausible and I think that may have been due to the writing. And, sadly, possibly also due to the fact that there have been some high profile disappearances of children over the years. Alex Marwood is a journalist and I can’t help wondering if this case was at least inspired by one particularly famous child disappearance.

There is a dual storyline – the first part set in 2004 and told from the point of view of various characters. The truth of what happened is drip-fed bit by bit. The second part is set in 2016 and is narrated by Mila, one of Sean’s daughters from his first of four marriages. As Mila reconnects with Ruby, the twin sister of Coco, she revisits her own past and deals with her feelings about her father and the fragile ties that can bind a family together.

In any event, it’s an absorbing read. Sean Jackson is a deeply unlikeable, narcissistic and selfish character and indeed most of the adult characters in this story are the same. Pity the children who had the misfortune to be part of their families. Speaking of those children though, I did love Mila and enjoyed her character development. I also adored Ruby, who was entirely believable as both a typical teenager and a young girl who had had to live with survivor’s guilt her whole life.

As mentioned earlier, I did think that the final twist was pretty predictable, but there were still a few surprises along the way, and the writing was great and kept me reading on and on.

Overall I would highly recommend this book, and will definitely look out for more by Alex Marwood.

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This story is told in two storylines, both of which are narrated by Jennifer Doyle aka Lola Nightingale. In 1916, Jennifer accompanies her roguish father from England to America, where she is given a job with the wealthy de Saulles family. It is there that she meets and falls deeply in love with Rudolfo Gullielmi, a dancer employed by the family, who is having a relationship with Mrs de Saulles.

1926, Jennifer goes by the name Lola Nightingale, Rodolfo is now known to the world as film superstar Rudolph Valentino, and at the beginning of the book, they have just been reunited after a decade apart. Jennifer/Lola has been in love with ‘Rudy’ for the whole time, and throughout the rest of the book she proceeds to describe the events that transpired between 1916, when Rudy vanished from her life, and 1926, when he reappeared.

I enjoyed the book, and thought that the writing was engaging and flowed well. However, I veered between sympathy for and annoyance with Jennifer, who was her own worst enemy. She knows that she drinks too much and dabbles in drugs, which are doing her ambitions as a bidding scriptwriter no good, and she also becomes involved with a horrible abusive man, who is a drug dealer to the stars.

Anybody who knows about Rudolph Valentino’s life and death, will have a certain knowledge of what happens in the ending of the book. I personally really enjoy fiction books that are based around real people and events, and I liked the fact that at the end of the book, the fates of all the real people in its pages (such as Mr and Mrs de Saulles) is revealed.

Overall, while I didn’t love the central character, I did really enjoy the story and am looking forward to reading more by Daisy Waugh.

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