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Posts Tagged ‘farce’

Well well. After over a year of being deprived of live theatre, I was absolutely thrilled to be able to go back to the RSC to see this production of Shakespeare’s shortest and arguably most farcical play. This was set in the newly erected outdoor Garden Theatre, which is just about the sweetest theatre I have been in. It has a capacity of 500, but ticket sales were topped at 310, to allow for social distancing. The weather is always a risk with outdoor performances, but regular groundling visitors to The Globe Theatre are used to coping; in any event we were lucky enough to have glorious sunshine on this particular visit.

In essence, The Comedy of Errors features two sets of identical twins – one pair of whom work for the other pair. As children the pairs get separated and one twin from each set ends up with one twin from the other set. When they meet up again as adults – with none of them knowing of the existence of their twin brother, mayhem ensues as they get mistaken for each other. One man’s wife is convinced he has gone off her, one of them is accused of owing money, and there are all sorts of opportunities for both verbal and physical comedy.

The play was updated to give a 1980s feel and look, with scene changes taking place accompanied by a group of four a capella singers, also dressed in 80s clothes.

Part of the challenge must have been to find actors who were sufficiently alike to make the mistaken identities believable, while being different enough for the audience to tell the actors apart. I thought this was achieved perfectly with the two Antiphulos characters (yes, to confuse things further each man has the same name as his twin) being played by Guy Lewis and Rowan Polonski, and the two Dromio characters being played by Jonathan Broadbent and Greg Haiste.

I loved the show, and found myself laughing all the way through – as did the rest of the audience who all seemed to be thoroughly enjoying themselves. I hope the cast had as good a time as we did. I have missed live theatre so much during the Covid-19 pandemic and this was the perfect way to celebrate being able to see a show again.

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The Blurb

The landscape is flawless, the trees majestic, the flora and the fauna are right and proper. All is picturesquely typical of rural England at its best. Sir Giles, an MP of few principles and curious tastes, plots to destroy all this by building a motorway smack through it, to line his own pocket and at the same time to dispose of his wife, the capacious Lady Maude. But Lady Maude enlists a surprising ally in her enigmatic gardener Blott, a naturalised Englishman in whom adopted patriotism burns bright. Lady Maude’s dynamism and Blott’s concealed talents enable them to meet pressure with mimicry, loaded tribunals with publicity and chilli powder, and requisition orders with wickedly spiked beer. This explosively comic novel will gladden the heart of everyone who has ever confronted a bureaucrat, and spells out in riotous detail how the forces of virtue play an exceedingly dirty game when the issue is close to home.

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My thoughts

If I had read a physical copy of this book, I would probably think it was pretty good. However, I listened to the audiobook narrated by David Suchet, and his narration thrust this into the realms of hilarity. The story is nothing if not convoluted, and the levels of ridiculousness grow with each chapter – but it’s all written so well and with such wit that you can’t help but laugh out loud.

The synopsis above only scratches the surface of double dealings and dirty deeds committed by most of the characters, it does sometimes require concentration to keep up with who is doing what to who. However, it never sags or bores, and I really enjoyed this. I remember my Mom really enjoying the tv adaptation of this in the 1980s – David Suchet starred as the titular Blott in that series – and I can certainly see the attraction.

I would definitely recommend this book – but do yourself a favour and listen to the audio version.

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Year of first publication: 1975

Genre: Comedy, satire

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The full title of this play is actually Vice Versa (Or the Decline and Fall of General Braggadocio at the Hands of his Canny Servant Dexter and Terence the Monkey). And if that doesn’t give you the idea that you are in for a few hours of fun, laughter and daftness, then I don’t know what will.

The play is a new script by Phil Porter, described as ‘lovingly ripped off from the Roman comedies of Plautus’. The story revolves around the pathetic and self-deluded General Braggodocio, who has taken as his concubine the unwilling Voluptua. She, meanwhile is having a clandestine relationship with her true love Valentin, and the General’s servant Dexter has to hide the fact from her boss, while simultaneously scheming to get Voluptua, Valentin and herself out of the General’s clutches.

I can honestly say that from the moment the play started until the moment the cast took their final bows, I had a constant grin on my face, and it is no exaggeration to say that I laughed out loud genuinely and frequently – the whole audience seemed to share a real enthusiasm and found the play extremely funny.

Felix Hayes certainly had no qualms about sending himself up in the role of General Braggadocio, and was terrific in every scene. The whole supporting cast were fantastic too, with Byron Mondahl and Steven Kynman great as his two inept servants Omnivorous and Feclus. Ellie Beaven and Geoffrey Lumb also shone as lovers Voluptua and Valentin, and Nicholas Day was truly hilarious as Philoproximus Braggadocio’s neighbour who is complicit in the the double crossing). Special mention also to Kim Hartman who played a prostitute called Climax(!) However, the main plaudits surely have to be reserved for Sophie Nomvete as Dexter – not only did she have the job of tying the whole story together and keeping the audience involved, she also had the biggest role and the most dialogue – she never missed a beat, and the unpacking the shopping scene (watch the show! I don’t want to spoil this scene for you!) was incredibly funny, well written and brilliantly delivered.

This play actually holds the records for the most amount of props (244) used in an RSC production, and indeed they were brought out with frequency. The whole production was colourful and brash, with a lot of physical ‘slapstick’ style comedy as well as numerous double entendres and puns.

I loved the production and would happily have sat through it again straight away. I definitely recommend that anyone who enjoys a good solid belly laugh sees this production while it’s on!

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The first time I saw this show was in May 2014 (review here) and it was just about the funniest thing I had ever seen. Since that time, I have seen the two other major plays that The Mischief Theatre Company  have staged – Peter Pan Goes Wrong, and The Comedy About A Bank Robbery – and loved them both. So when I heard that this one was coming back to Wolverhampton, I knew I just had to see it.

I’m not going to write a really long review as a lot of it would be just repeating what I wrote the first time, but suffice to say that the show was just as funny second time around. This time it was an entirely different cast – due to the fact that the original cast are currently performing on Broadway!! – but they put on a superb performance and the whole audience seemed to love it as much as I did.

As before, I found that the jokes came at such a rapid rate that you were still laughing at one, when another fresh wave of laughter at the next one hit you. (Seriously, you could have genuine face ache at the end of this show.)

There were some minor changes from the previous performance…I imagine that shows tend to evolve given the individual talents of the cast members – but by and large the story remained much the same and all the gags I had found funniest first time around were still intact.

Members of the cast were milling through the audience prior to the show – including chatting with my parents, husband and myself – and getting the audience in the mood for a good chuckle. My husband actually ended up going on stage prior to the show proper starting as the hapless audience member who had to help them construct the set that was falling apart even as they were building it.

All in all a great night out. Even though I have already seen this show twice, I certainly wouldn’t hesitate to go and see it for a third time. I highly recommend this for anyone who loves a good laugh (and lets face it, who doesn’t love a good laugh from time to time)!!

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Set in the 1930s, this comedy revolves around Maurice and Arthur (Oliver Platt and Stanley Tucci), two out of work actors who stow away on a cruise ship when they are wrongly accused of assaulting the famous actor Jeremy Burtom (Alfred Molina). However, Burtom is also on the cruise ship, along with a cast of colourful characters, which means that the situation goes from bad to worse for the two hapless heroes.

With a supporting cast including Billy Connolly, Campbell Scott, Allison Janney, Tony Shalhoub and Steve Buscemi, you might think that this couldn’t go wrong – and it doesn’t. Well, for the characters it does, but with hilarious results for the viewer.

Tucci and Platt are incredibly funny as Arthur and Maurice, looking for all the world like a modern day Laurel and Hardy (and by coincidence, played by actors called Stanley and Oliver too!) There is a lot of slapstick and the whole film has a very zany feel to it, with all the cast giving it their all. Campbell Scott was for me, the funniest character, as a German member of staff. I have admired him as an actor for a long time, but this is the first time I have seen him in an out-and-out comedy, and he totally stole all of his scenes.

I watched this film on my own, and when I do that, it’s rare for me to actually laugh out loud (very common apparently) but this film actually did make me do that on several occasions. I loved the farce, the cleverness of the lines and the absurdity of the situation. This film has definitely gone straight into my top ten films of all time.

Highly recommend, especially for fans of slapstick, or the old silent comedy films of Laurel and Hardy or The Marx Brothers. Brilliant!

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Year of release: 1998

Director: Stanley Tucci

Producers: Jonathan Filley, Elizabeth W. Alexander, Stanley Tucci

Writer: Stanley Tucci

Main cast: Stanley Tucci, Oliver Platt, Campbell Scott, Steve Buscemi, Alfred Molina, Lili Taylor, Tony Shalhoub, Teagle F Bougere, Allison Janney, Matt McGrath, Richard Jenkins, Billy Connolly

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