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Posts Tagged ‘illness’

New York in the late 1960s, and the four young Gold siblings – Varya, Daniel, Klara and Simon – are on their way to see a mysterious fortune teller who is said to be able to tell you the date you will die.

The novel then follows each sibling in turn, starting with the youngest (Simon) and ending with the oldest (Varya) as they grow up and live their lives, and how the prophecy each received affects their behaviour and choices. Simon moves to San Francisco to find love and adventure, Klara becomes an illusionist and magician but is a haunted soul. Daniel tries to make his place in the world a worthy one by becoming an Army medic, while Varya turns to science.

I’m not going to reveal spoilers here as this book deserves to be read with no idea of what’s going to happen. But it’s fair to say that if you knew the date you were going to die, would it affect the way you chose to live? And would the prediction you had received become a self-fulfilling prophecy?

Anyway, I loved this book. I felt that each character was brought to life beautifully and was entirely believable. The four lives were very different, but the human emotions and feelings were so well written and described.

Despite the subject which was at times fairly heavy, the book never become clogged down or difficult to read. I enjoyed Simon’s section a lot and was sorry when it ended but then Klara’s part was just as good. The same with Daniel and Varya, both of whom could be difficult to like at times, but never difficult to invest in.

All in all, an excellent read, and I will definitely look out for more books by Chloe Benjamin.

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I’d been meaning to watch this film for ages and when I finally got around to it I was not disappointed!

Saint Ralph aka The Miracle of Saint Ralph stars Adam Butcher as the titular character, a 14 year old boy at Catholic school in the 1950s, who has a mother desperately ill in hospital. When a nurse tells him that it will be a miracle if his mom recovers he decides that he will create the miracle that is needed by running and winning the Boston Marathon. One of his teachers, Father Hibbert (Campbell Scott, one of my faves) offers to train him against the wishes of the strict headmaster Father Fitzpatrick (Gordon Pinsent).

Considered to have absolutely no hope when he begins training, Ralph is determined to complete his mission and the local town starts to see his as an embodiment of their hopes and desires and everyone who initially laughed at the idea starts to support him. He also provides a new lease of life to Father Hibbert, who gave up some of his own athletic dreams when he joined the priesthood.

This is such a sweet film, with lots of humorous moments – although it isn’t really a comedy, and lots of poignant moments. All of the main cast are excellent, including Jennifer Tilly as the nurst who looks after Ralph’s mom, and by extension, Ralph himself. Campbell Scott is perfect as the slightly rebellious priest, and I defy anyone to watch this and not end the film with a smile on their face.

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Audiobook narrated by Megan Hilty.

Dannie Kohan lives her life according to rules and numbers. She has a five year plan, which is all coming together nicely when her boyfriend David proposes right on schedule, and on the same day that she lands her dream job at a top lawyers firm. However, that evening she falls asleep and when she wakes up, she is five years in the future, living at an apartment in a completely different part of town – and apparently with a gorgeous boyfriend named Aaron.

Dannie again falls asleep and wakes up back in her real world with David, and dismisses her experience as a vivid dream,. But she can’t forget about Aaron, the mysterious man from the future, and when she meets him in very unexpected circumstances, things start to get complicated.

I am in two minds about this book. I really enjoyed the first part of the book, and although I am not generally into fantasy or storylines which are entirely implausible, the dream/premonition part of the story was well done and did not bother me. I loved Dannie’s relationship with her impulsive and beautiful best friend Bella, and I also really liked her fiance David. Given that the book is narrated by Dannie, she is the character who we get to know best, and at times she irritated me, as she had such a controlling nature, but overall she was a good hearted and kind person.

The story does take a tragic turn which I won’t reveal here, and although it was very sad, it was well written. Everything that happened – apart from the dream at the beginning of course – seemed believable and I did get drawn into the lives of these fictional characters and was eager to know how the beginning of the story would tie into the end. And that was the problem for me. I liked most of the ending, but I did not like how those two particular parts of the story came together and it did spoil it somewhat for me.

There’s no doubt though that Rebecca Searle can write and can draw the reader/listener in, so although the ending left me with mixed feelings, I would try another book by her and would cautiously recommend this one.

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This little gem of a movie is unsurprisingly set in 1985, and revolves around a young man named Adrian Lester (Cory Michael Smith), who has been living in New York City for several years. He is returning to the small Texas town where he grew up to spend Christmas with his ultra conservative parents (Michael Chiklis and Virginia Madsen) and his younger brother (Aidan Langford). What Adrian hasn’t told them is that he is gay, or that he is HIV positive.

There’s not a lot of action in this film and in many ways not a lot actually happens. It is a careful study of an awkward and difficult relationship between a young man and his father (his mother is far more open and affectionate with Adrian). His father Dale is deeply religious and also extremely homophobic. It’s clear from the tension between them when Dale picks Adrian up from the airport, that they have little in common and don’t know how to be around each other.

The small main cast is rounded out by Jamie Chung as Carly, a childhood friend of Adrian, who his mother would like to see him have a relationship with. His father is not so keen as Carly is Korean, and along with his many prejudices, Dale is also racist. But Chiklis plays him as a multi-layered character, as distasteful as his attitudes definitely are. Smith is wonderful and heartbreaking as Adrian, and kudos to Langford for a sensitive portrayal as younger brother Andrew. Virginia Madsen straddles the line between sensitivity and love for her son, and the uncomfortable suspicion that his lifestyle might be one she cannot cope with.

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Chronic (2015)

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Chronic features Tim Roth as palliative care nurse David, who looks after terminally ill or severely disabled persons in their own home, having one patient at a time. It follows him through looking after three patients and it is clear that he cares very deeply about his work, and also about the people he nurses. The power here is not always in what is said, but in the silences and in the mundane and sometimes unpleasant tasks that he carries out, without complaint. Make no mistake, this film does not flinch from showing the realities of people nearing the end of life, or unable to look after themselves. In one scene for example, a patient soils herself due to medication, and David is showing carefully soaping her and cleaning her mess up afterwards. In another scene, he is washing a man who is unable to do it for himself; the patient is in the shower room, naked and entirely vulnerable. Indeed, so intimate and private are these moments that I almost felt voyeuristic, as though I was intruding on someone’s life, when I had no right to.

For the always wonderful (in my biased opinion!) Roth, this is possibly a career best performance. Despite his dedication to his vocation, David is not always entirely likeable. He lies easily to strangers – he untruthfully refers to one of his patients as his wife for example – and seemingly has no friends, apart from his patients while he was looking after them. His own history is drip fed to the viewer, which does make his behaviour more understandable.

For some people, this film will be hard to watch. I could feel the pain and helplessness of the characters, their lack of dignity, and the sense of futility for their families, which manifested itself in different ways. One niece asks David about her aunt, underscoring the fact that she didn’t get to know her aunt well when she was alive, and she is aware that David knew her better than her own family.

It’s a stunning film, with an ending that took my breath away. I’m giving no spoilers here because I believe it deserves to be viewed completely unspoiled, which is how I saw it. I liked the ending; other reviewers didn’t. Overall though, this film will stay with me for a long time, and I would highly recommend it.

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Chronic features Tim Roth as palliative care nurse David, who looks after terminally ill or severely disabled persons in their own home, having one patient at a time. It follows him through looking after three patients and it is clear that he cares very deeply about his work, and also about the people he nurses. The power here is not always in what is said, but in the silences and in the mundane and sometimes unpleasant tasks that he carries out, without complaint. Make no mistake, this film does not flinch from showing the realities of people nearing the end of life, or unable to look after themselves. In one scene for example, a patient soils herself due to medication, and David is showing carefully soaping her and cleaning her mess up afterwards. In another scene, he is washing a man who is unable to do it for himself; the patient is in the shower room, naked and entirely vulnerable. Indeed, so intimate and private are these moments that I almost felt voyeuristic, as though I was intruding on someone’s life, when I had no right to.

For the always wonderful (in my biased opinion!) Roth, this is possibly a career best performance. Despite his dedication to his vocation, David is not always entirely likeable. He lies easily to strangers – he untruthfully refers to one of his patients as his wife for example – and seemingly has no friends, apart from his patients while he was looking after them. His own history is drip fed to the viewer, which does make his behaviour more understandable.

For some people, this film will be hard to watch. I could feel the pain and helplessness of the characters, their lack of dignity, and the sense of futility for their families, which manifested itself in different ways. One niece asks David about her aunt, underscoring the fact that she didn’t get to know her aunt well when she was alive, and she is aware that David knew her better than her own family.

It’s a stunning film, with an ending that took my breath away. I’m giving no spoilers here because I believe it deserves to be viewed completely unspoiled, which is how I saw it. I liked the ending; other reviewers didn’t. Overall though, this film will stay with me for a long time, and I would highly recommend it.

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I listened to the audiobook of The Cows, expertly narrated by the author herself, Dawn O’Porter, plus Karen Cass and Laura Kirman. It’s a mixed bag of a book for me – definitely held my attention throughout, but when looked at in retrospect a lot of the things that happened were verging on ludicrous.

The story centres around three women – Tara, a tv executive who makes a silly mistake one night and it threatens to ruin her life; Cam, a well known blogger who has a hugely successful career, but her mother and sisters despair of her life choices; and Stella, a young woman mourning the death of her sister, who is driven to desperate lengths to get what she wants out of life. Each in her own way, refuses to follow the herd and this has consequences for all of them.

Without giving away any spoilers, I thought the story was entertaining enough and as mentioned, extremely well narrated. Although I listen to and enjoy audiobooks, I generally prefer printed books. On this rare occasion though, I think listening to the book enhanced its appeal. Some of the events that happened just seemed so unlikely that it was fairly obvious they were simply there to move to story along. Stella’s story in particular, while it achieved the point of showing how far people will go to make their dream come true, seemed so ridiculous that I almost lost interest. I liked Tara, I quite liked Cam, and I hated Stella although I did feel some sympathy for her.

I think I expected the book to be more of a comedy – and it isn’t. It is a drama, firmly set in the current day – the internet and social media play surprisingly large roles in this story.

Overall, I enjoyed it enough to try another book by Dawn O’Porter, but this is a flawed read, which I would recommend but with some caution.

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I’ve had this film on my planner for ages, and somehow never fancied watching it. But today, with a lazy day to myself, I finally took the plunge – and I have to say, it exceeded all of my expectations, made me feel every emotion, and was well….generally brilliant.

Greg (Thomas Mann) is a high schooler who is determined to avoid all the typical cliques and instead stays on the periphery of all high school groups (such as the jocks, the geeks, the stoners, etc). He doesn’t like to get close to people and his only friend – although Greg doesn’t like the word ‘friend’ so instead uses the term ‘co-worker’ – is the titular Earl (R J Cyler). The two of them spend their time making so-bad-they’re-good spoof movies such as Brew Velvet, A Sockwork Orange, Yellow Submarine Sandwich, and (my particular favourite title) 2.48pm Cowboy.

When Greg’s mother tells him he must be friends with Rachel (Olivia Cooke), a schoolmate who he hardly knows and who has been diagnosed with leukaemia, he is initially reluctant, but what starts out as an awkward situation soon becomes a real connection. Earl is also drawn into the friendship.

Given that the film is narrated by Greg, and Rachel is the centre of his and Earl’s attention, it’s actually the character of Earl who I found most interesting. On the surface he seems like a bit of a slacker, but he reveals surprising depth and perception.

It’s a beautifully told story – it did make me laugh and also made me cry. Most importantly, it made me feel for all of the characters – the three main characters, Rachel’s mom Denise (played by the always brilliant Molly Shannon), even the relative small character of their teacher Mr McCarthy (Jon Bernthal). They are all believable, fully fleshed out characters. The three youngsters – all of which actors were unknown to me – were brilliant, and the supporting cast did a great job too.

I really enjoyed this film and have no hesitation in recommending it.

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Otilla McGregor needs to sort her life out. She drinks too much, she is in a relationship with her married boss, her sister has severe mental health problems – but she is determined to sort her life out and get herself together.

I listened to this as an audiobook narrated by Colleen Prendergast. It’s told from the point of Otilla, and employs a type of ‘scrapbook’ method to tell her story; this encompasses emails, snapchats, text messages, letters to the Little Book of Happy (makes sense when you’re listening/reading!) and conversation transcripts with her therapist.

The narration was excellent – Prendergast really got under the skin of Otilla and helped make her into a believable and likeable character. The story itself was also interesting and I liked the deviation from conventional narration, although I think this may work better as a physical book rather than an audiobook.

I would say however, that this is NOT a book to listen to if you need cheering up! As mentioned above, Otilla drinks way too much, her love life is a mess, she thinks that she may be to blame for her sister’s mental and emotional problems, her father passed away a few years earlier and she misses him terribly, her mother has her own problems….on top of all this, Otilla’s best friend Grace is an enabler who believes the only reason to give up alcohol is so that when you go back to it, you get drunk quicker and for less money. Otilla works in a cancer care hospital, so even several of the lesser characters have serious problems.

For all this, although at times I did wonder how much more misery could be stuffed into one book, the story did hold my attention throughout. I adored her new potential boyfriend, and really rooted for Otilla.

I’ve heard good things about other books by Annaliese Mackintosh and would certainly read/listen to more of her stories.

 

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Alison, Jeff and their 15 year old daughter Katherine, have a happy and charmed life. They have money, security and genuinely love each other. Katherine is a school lacrosse star, an excellent student, and a popular girl. She is also the absolute centre of her mother’s universe – so that universe feels torn apart when one day a man knocks at their door and tells Alison that Katherine is the biological daughter of him and his deceased wife – it turns out that there was a mix up at the hospital, and that Alison and Jeff are the biological parents of his daughter Olivia. Even worse, Katherine may have inherited the gene that caused the cancer which killed his wife.

The family are thrust into a nightmare as Katherine comes to terms with new siblings, a new history, and worst of all trying to decide whether to take the test which will determine whether she has the dangerous gene.

I wanted to read this book for two reasons – first I thought the premise sounded really interesting. Second, I had read another book by Adele Parks many years ago, and had really enjoyed it. Unfortunately, The Stranger In My Home turned out to be a bit of a let down.

I listened to the novel as an audiobook, read by Rachel Atkins. Overall her narration was good, but there were a lot of whispered parts which made it difficult to hear, and I had to go back a little on quite a few occasions to listen again. (Now, admittedly I listen to my audiobooks when I’m out running, so there is traffic and other outside noises around, but I doubt that I am particularly unusual in listening to a book outside.)

The main reason I couldn’t really enjoy the book was the main character. Alison is the narrator for the most part – there is the occasional flashback to her early life, which is an attempt to explain her devotion to her daughter…I say devotion, but it’s actually more like an obsession. Of course mothers love their children more than it is possible to express, but my goodness this was one obsessed mother. And she never missed an opportunity! By the end of the book I was quite sick of hearing Katherine’s name.

The other problem was that after the initial shock, the book slowed down to a snail’s pace and for ages nothing really happened except teenagers being moody and Alison obsessing about her daughter. In the last part of the book, there is a sudden plot twist, which unfortunately struck me as preposterous, but nonetheless did come as a complete surprise. But for me it was much too little and way too late.

I didn’t hate this book enough to give up on it, but for some reason I feel able to listen to audiobooks even while finding them less than enjoyable. And despite my more scathing than I intended review, it wasn’t awful. it was just far from what it could have been and basically underwhelming.

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