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This film, based on a Noel Coward play, stars Julie Andrews, as Lady Felicity Marshwood, who is upset to learn that her son, Lord Nigel (Edward Atterton) is engaged to be married to Hollywood film star Miranda Frayle (Jeanne Tripplehorn).  However, the situation soon becomes even more complicated when Nigel plans to bring Miranda to meet his aristocratic family, only for the family’s maid Moxie (Sophie Thompson), to announce that Miranda is in fact her sister!  Throw in Miranda’s co-star and former lover Don Lucas (William Baldwin) who is coming to England to try and stop the marriage, and Colin Firth and Stephen Fry as respectively Nigel’s cousin Peter, and the family butler Crestwell, and the stage is set for a fine comedy!

I loved this film – it did remind me somewhat of another Noel Coward adaptation – Easy Virtue, which like Relative Values, also starred Colin Firth, and which also featured the son of an upper-crust English family bringing his vivacious American girlfriend to meet his relatives, but the films play out quite differently (I loved easy Virtue too).

All the cast were excellent – in particular, Thompson, Andrews and Firth.  Stephen Fry was playing a role which could have been written for him, and although he is one of the supporting rather than main cast members, he certainly makes the most of his screen time.  Baldwin is also very funny as the often drunk Lucas, who throws a spanner in the works of Miranda’s plan to transform herself from a starlet to a Lady of the Manor.  And Moxie, who is transformed from a maid, into a wealthy family friend (so that Miranda won’t recognise her) is the centre of one of the funniest scenes, when Moxie gets drunk to try and overcome her fear at meeting her sister who she hasn’t seen for some 20 years.  Colin Firth is just adorable as Peter – it could have been a nothing role in the wrong actor’s hands, but Firth is perfect.

The plot itself is rather daft – why didn’t they just tell Miranda that her sister was working for the family, rather than try and cover up the fact (and surely Miranda would have recognised her own sister!), but I think that it’s just something that you need to go with, accept, and enjoy.  Overall, this was a very funny and hugely delightful film.  At just under one and a half hours, it never gets boring, the cast is top-notch, and I would certainly recommend it.

Year of release: 2000

Director: Eric Styles

Producers: Steve Christian, Alex Harakis, Chris Harris, Fabio Chino Quaradeghini, Francesca Barra, Maud Nadler, Alex Swan, Christopher Milburn, Paul Rattigan, Michael Walker

Writers: Noel Coward (play), Paul Rattigan, Michael Walker

Main cast: Julie Andrews, Sophie Thompson, Colin Firth, William Baldwin, Edward Atterton, Stephen Fry, Jeanne Tripplehorn

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Julie Andrews plays Millie Dillmount, a young woman who comes to New York in 1922, with the sole intention of getting a job and marrying her (rich) boss.  However, when she meets happy-go-lucky Jimmy Smith (James Fox), she has to decide where her priorities lie.  And then there’s the issue of the women at Millie’s hotel being captured and forced into slavery.

While I had some doubts about the tastefulness of using sex slavery as a comedic plot point, I must admit that I very much enjoyed this film.  There are a couple of scenes showing some of the girls who have been sold into slavery, and they did cause a bit of a jolt, as it is so unexpected in a frothy musical comedy.

The film is intentionally farcical, and did cause me to dissolve into giggles on occasion.  In a nod to earlier silent films, Andrews often breaks the fourth wall by looking directly into the camera at the viewer, and her thoughts are then shown on screen in the form of title cards.  There are also some very funny musical interludes (such as the ‘Haaaaaallelujah!’ when Millie first lays eyes on her handsome boss Trevor Graydon).  As it set in the 1920s, the costumes are as lovely as you might imagine, and Andrews herself is just adorable.  Equally endearing is Mary Tyler Moore as Millie’s friend Miss Dorothy, and James Fox and John Gavin provided excellent support as Jimmy and Trevor respectively.  Carol Channing pops up as a rich widow who befriends Millie, and certainly makes her mark with a hilarious song and dance routine!  It is only because the cast as a whole is so strong, that Beatrice Lillie did not steal the entire film as the evil Mrs Meers, manageress of the hotel, and the main villain behind the slavery business.

This kind of film isn’t for everyone and I can imagine that some people might find it an irritant, but I really enjoyed it.  As long as you can abandon all sense of logic and realism (and the film is really not meant to be realistic), I would say that this is a treat for fans of musicals.  Needless to say, Julie Andrews is in excellent voice.  Recommended.

Year of release: 1962

Director: George Roy Hill

Producer: Ross Hunter

Writers: Richard Morris

Main cast: Julie Andrews, Mary Tyler Moore, James Fox, John Gavin, Beatrice Lillie, Carol Channing

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Click here for my review of Willenhall Musical Theatre Company’s 2014 stage production.

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