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vice-versa-production-photos_-2017_2017_photo-by-pete-le-may-_c_-rsc_219662-tmb-img-1824

The full title of this play is actually Vice Versa (Or the Decline and Fall of General Braggadocio at the Hands of his Canny Servant Dexter and Terence the Monkey). And if that doesn’t give you the idea that you are in for a few hours of fun, laughter and daftness, then I don’t know what will.

The play is a new script by Phil Porter, described as ‘lovingly ripped off from the Roman comedies of Plautus’. The story revolves around the pathetic and self-deluded General Braggodocio, who has taken as his concubine the unwilling Voluptua. She, meanwhile is having a clandestine relationship with her true love Valentin, and the General’s servant Dexter has to hide the fact from her boss, while simultaneously scheming to get Voluptua, Valentin and herself out of the General’s clutches.

I can honestly say that from the moment the play started until the moment the cast took their final bows, I had a constant grin on my face, and it is no exaggeration to say that I laughed out loud genuinely and frequently – the whole audience seemed to share a real enthusiasm and found the play extremely funny.

Felix Hayes certainly had no qualms about sending himself up in the role of General Braggadocio, and was terrific in every scene. The whole supporting cast were fantastic too, with Byron Mondahl and Steven Kynman great as his two inept servants Omnivorous and Feclus. Ellie Beaven and Geoffrey Lumb also shone as lovers Voluptua and Valentin, and Nicholas Day was truly hilarious as Philoproximus Braggadocio’s neighbour who is complicit in the the double crossing). Special mention also to Kim Hartman who played a prostitute called Climax(!) However, the main plaudits surely have to be reserved for Sophie Nomvete as Dexter – not only did she have the job of tying the whole story together and keeping the audience involved, she also had the biggest role and the most dialogue – she never missed a beat, and the unpacking the shopping scene (watch the show! I don’t want to spoil this scene for you!) was incredibly funny, well written and brilliantly delivered.

This play actually holds the records for the most amount of props (244) used in an RSC production, and indeed they were brought out with frequency. The whole production was colourful and brash, with a lot of physical ‘slapstick’ style comedy as well as numerous double entendres and puns.

I loved the production and would happily have sat through it again straight away. I definitely recommend that anyone who enjoys a good solid belly laugh sees this production while it’s on!

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