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This fifth outing for private detective Cormoran Strike and his business partner Robin Ellacott sees them tackling their first cold case. Strike is visiting his uncle and sick aunt in Cornwall when he is approached by Anna Phipps, who hopes he can help her discover what happened to her mother, GP Margot Bamborough, who went missing just over 40 years earlier. Was she a victim of serial killer Dennis Creed who was in the midst of his killing spree at that time? Or was something else behind Margot’s disappearance?

As Strike and Robin go back over the lives of Margot’s colleagues, friends and family, they run into more and more problems, with red herrings, missing witnesses and unreliable memories. Meanwhile Strike is juggling trying to look after his aunt, dealing with unwanted contact from his half siblings and his erstwhile father, and his fragile and unbalanced ex-fiancee Charlotte still trying to remain in Strike’s life. Robin has her own problems, going through an unpleasant divorce from Matthew and dealing with unwanted attention from another quarter.

The agency is expanding for better or for worse – they have taken on a new subcontractor and an office secretary (the latter of which was a very enjoyable character to read about; I hope she features in future books).

Every time I read the latest Strike book I think it is the best yet, and this one is no exception. It’s huge – the paperback is nearly 1100 pages – but I enjoyed every minute of it. The twists and turns came fast and just when I thought the detectives might be getting somewhere, something would happen to make me think, “Oh, hang on….”

I do think Galbraith has a gift for characterisation, as I felt I really knew everyone in this book. The plotting must have been meticulous, and the ending was brilliant. I like the fact that the book shows the private lives of Strike and Robin, but never delves into the realms of soap opera; rather it adds to their motivations and nuances of character as we understand more about what drives them.

Ready for the next one please!

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London 1831. Hester White is the daughter of educated and reasonably wealthy parents, both sadly deceased. She is taken in by their gardener and his wife, but their lack of good fortune causes them to end up living in the slums of London. At this time, people are going missing all round London and rumours abound as to whst might be happening. When Hester is injured in an accident she ends up living in teh stately home of brother and sister Calder and Rebekah Brock, who believe her to be an uneducated young woman from the dregs of society. Calder tasks Rebekah wiht the job of educating Hester and while Rebekah is initially resistant to the idea, eventually she and Hester become very close.

However, when they start to uncover the truth about the people going missing, they both find themselves in great danger and have to use all of their wits and cunning to stay safe – and alive.

I had high high hopes for this book, and at first I thought I was going to love it. However, just as the story should have really got going – when Hester went to live with the Brocks – it seemed to start to drag somewhat. I could never get invested in Hester and Rebekah’s relationship because Rebekah didn’t seem very well developed; I did however find the mystery part more interesting, but the ending was drawn out a little too much for me. That said, some of the writing was very eloquent and I didn’t feel at any point as though I didn’t want to read on. If you like gothic mysteries you might like this book but – for my money – there are better novels in the genre.

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Lethal White is the fourth book in the Cormoran Strike series written by J K Rowling under a pseudonym. In this story, Strike and his former assistant turned business partner Robin, are trying to uncover the truth behind a mentally ill man’s assertion that he saw a child being murdered years ago, and how it ties in to the blackmailing of a government minister named Jasper Chiswell, who hires Strike to find out what the blackmailers have on him. The case takes them into the Houses of Parliament, and leads to them becoming involved in Chiswell’s family, who all have plenty of secrets of their own. Inevitably, it puts them into personal danger too, but these two determined investigators will not be put off.

Meanwhile, the fame brought about by their previous investigation (from book three) means that Strike how struggles with undercover work, as he is now publicly known and easily recognisable, while Robin’s personal life is starting to disintegrate.

This book is the longest and most labyrinthine Strike novel yet, but it’s no less enjoyable than the ones before it; in fact I believe this series improves with each instalment (and that’s coming from someone who really enjoyed the first one). There are plenty of twists and turns, but without the sensationalism that some crime/mystery novels have – it really does feel as though they are working the case and finding clues and evidence slowly but surely. I still adore the friendship and working relationship between Strike and Robin, and look forward to seeing how this pans out in future books.

The ending was a surprise, in a good way!

If you are a fan of crime thrillers or mysteries, then I do recommend the Strike series very highly, but would also suggest that it is advisable to read them in order.

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I’ve read this book before, but it was several years ago, after reading Bridget Jones’ Diary. I admit that when I reread the first book, I felt somewhat disappointed and wondered if I would feel the same way after rereading this one, the first sequel.

Bridget starts off this book in a good place. Happy relationship, good friendships etc etc, but naturally she can’t help screwing things up. Through a colossal and somewhat unbelievable series of misunderstandings, she and Mark end up splitting up (don’t these people ever actually just sit and TALK to each other).

As before, her friends Shazzer and Jude feature heavily and while they are both well meaning and loyal, they are also full of ridiculous advice. This books takes Bridget to such far flung shores as Rome and Thailand, sees her life threatened, and her having to live through several embarrassing and cringeworthy situations.

On the positive side, it’s an undemanding read – perfect for that strange week between Christmas and New Year when you have no idea what day it is, or what’s going on (which is when I read it) and Helen Fielding definitely knows how to write humour. I did on several occasions burst into giggles.

On the other hand, Bridget herself is – let’s face it – a hot mess. Living her life according to self-help books which usually contradict each other and only having herself to blame for lots of the problems that arise just made me frustrated. For example, at one point she gets the chance to fly to Italy and interview her favourite actor. Instead of preparing her questions beforehand, packing in advance and getting an early night the evening before she is due to fly, she fails to prepare anything, gets drunk the night before, doesn’t pack and therefore misses her flight, causing everything to need to be rearranged. She is always late for work and it’s always her own fault. So when people say that Bridget is relatable, I have to say – to WHO exactly?

So overall, a slightly frustrating experience rereading this. But not altogether unenjoyable. Maybe I’ll pick it up again in another 15 years and see what I think then.

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This is the second Jackson Lamb thriller, set in the world of MI5 and espionage. In truth, Lamb is just the head of an ensemble cast, each of whom has their own role to play in these novels.

Lamb’s team are affectionately nicknamed Slow Horses by the powers that be at MI5. Partly because it’s a play on the name of the building called Slough House where they work, and partly it’s because they are all considered subpar – for differing reasons – and are put into this team to quietly spend the remainder of their career carrying out mundane and unimportant tasks, being no trouble to anyone or anything.

However, Lamb is not as acquiescent as they would like, and cannot resist when he gets a sniff of a mystery. When he hears that a former colleague and spy, named Dickie Bow (really!) has died, he thinks there is more to it and this sets him and his team on a trail leading back to the Cold War.

I’m not sure what it is about these novels that I enjoy so much. I generally do not like spy novels because they almost always seem to have unnecessarily convoluted plots and it’s not a genre that interests me. However, Mick Herron’s writing is such a pleasure to read, and his characters are all so real and believable, that I thoroughly enjoyed this book as well as it’s predecessor Slow Horses, which is the first in the series.

It is a fairly complicated story with lots of strands, but they are all explained well without patronising the reader. The characters, including the overweight, chain smoking, heavy drinking, farting belching and insulting Jackson Lamb are a pleasure to spend time with, and there are a few big surprises along the way.

Although you don’t need to have read Slow Horses to understand and enjoy this book, I would recommend it as it gives background to some of the characters on the team. As for myself, I look forward to reading the next ones in the series.

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After reading Clare Mackintosh’s debut novel, ‘I Let You Go’, I was really looking forward to the this follow up. I had enjoyed the first book, thought it was well written with a super twist that, unusually, came halfway through. Unfortunately, I See You was nowhere near the calibre of it’s predecessor, and ultimately I was disappointed.

The story is narrated by mother of two Zoe Walker, another unknown narrator, and in the third person from the point of view of police officer Kelly Swift.

Zoe is horrified when she spots her own photo in an advert in the classified section of a free newspaper – there’s nothing there other than her picture, a phone number and a website address, but when she goes to the website she cannot gain entry. The next day the advert has a photo of a different woman, and she soon realises that there is a different woman shown each day. When she realises that crimes are being committed against some of the women in the pictures, Zoe starts to worry about her own safety. Who is printing these adverts and what kind of danger is she in?

Meanwhile PC Kelly Swift, still recovering from disciplinary action taken against her a few years before, becomes involved in the investigation into the advertisements and subsequent attacks on the women featured. It’s a race against time to discover who is behind the pictures and stop the crimes before more women are hurt.

Okay – so here’s the good part: the writing is well paced, and the characters are fairly well drawn (at least Zoe, her daughter Katie, and PC Swift are all easy to relate to). The idea behind the mystery is an intriguing one, and so far so good.

However…the final reveal, which I won’t give away here, almost made me throw the book against the wall in disgust. I can suspend my disbelief to an extent but this was ridiculous. Also, and I don’t think this is too spoilery, Zoe was not able to access the website because a password was required and she couldn’t figure it out. Fair enough – by her own admission, she was not particularly computer savvy. However, when the police are investigating and also cannot work out how to get in for some time, it didn’t make sense that the people who the advert was aimed at were miraculously able to figure out the password.

Anyway, it’s a quick read and undemanding if you don’t think too deeply about it. After the brilliance of I Let You Go, though, I can’t help feeling that this may have been rushed in order to capitalise on the success of that book. I’ve read worse for sure, but I’ve also read a LOT better.

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Nick Hornby has always been what I would call a reliable author, by which I mean that I might not have loved everything he has written, but I have found some enjoyment in everything of his that I have ever read. But actually I did love this book, and think it is his best yet.

Set in the 1960s, it tells of Barbara Parker from Blackpool, who wins the title of Miss Blackpool, promptly decides she doesn’t want it, and heads off to London to realise her dream of becoming a comedienne like her heroine, Lucille Ball.

Before long, Barbara has become Sophie Straw, landed a lead role in a new, successful tv sitcom, and the world – or the UK at least – is at her feet. She becomes part of a close-knit team, with her co-star, writers and director and life is wonderful for a while. But as they grow older and wiser and real life starts to get in the way, they have to rethink just how long the show can continue.

As I mentioned above, I really enjoyed this book. I liked Sophie so much – she was quick-witted, intelligent and full of fun – and I also liked the team she worked with. The writers, Tony and Bill, both gay men at a time when homosexuality was illegal and both dealing with it in very different ways; the director Dennis, gentle, kind, cuckolded by his awful wife Edith; and co-star Clive, who should have been easy to dislike with his womanising, his unfaithfulness and his professional jealousy, but who nonetheless was charismatic and made me laugh.

Hornby weaves real people in and out of the narrative, and I liked this; the prime minister and Lucille Ball both make an appearance amongst others. The tone is light and humorous, but never superficial. I felt as though 1960s London was brought to life.

Definitely a thumbs up from me for this one – I highly recommend.

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This is the third book in the Cormoran Strike series, and they just keep getting better and better!

This one dives straight into the story when Strike’s partner Robin has a severed girl’s leg delivered to the office. Strike immediately and correctly deduces that whoever sent it is trying to send him a message and four suspects come to mind. While the police believe they know which one it is and concentrate all their efforts on that person, Strike is convinced it is one of the other three, and he and Robin focus their investigation on those. Meanwhile, the killer – whose identity is not revealed until the end, but who does narrate certain chapters of the book – is committing other horrendous crimes in London, attacking and mutilating women, leaving a trail of bloodshed in his wake.

As Strike and Robin get drawn further into their investigation, they soon find themselves heading towards real danger.

Considering these books were written by the same mind that created the Harry Potter series, Robert Galbraith aka J K Rowling, takes the reader to some very dark places. This has been a theme in all of the Strike novels, especially this one and the preceding book ‘Silkworm’. If very gory scenes are not your thing, then be warned that this might not be a book for you. However, she writes a great story, and is very capable of springing surprises on the reader and maintaining tension throughout. The relationship between Strike and Robin kicks up a notch in this book, despite remaining platonic, and Robin is still with the odious Matthew.

Strike himself has always been a fascinating character despite his somewhat questionable social skills, and Robin has always been immensely likeable – this is maintained in this third instalment of their work. I’m reluctant to reveal more about the plot for fear of revealing any spoilers, but if you like thrillers, and/or have enjoyed the previous Strike novels, I would definitely recommend this one.

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Okay, this was another audiobook which I listened to over a few long runs. I mention this because I find that books I can quite like as audiobooks are often books that I know I wouldn’t enjoy if I read them as a physical book and this is one of those. The reason is because when running, I want something to divert me and keep me occupied while exercising. When I’m reading a physical book I want it immerse myself in it; it’s not a diversion from something else I’m doing. For this reason I can listen to chick-lit audiobooks but I rarely actually read one. This was narrated by Gerri Halligan, who did a good job, although I did find her American accent slightly questionable (but not enough to annoy me).

The story is narrated in alternate chapters by three characters…

Gemma Hogan is still smarting from her ex-boyfriend Anton falling in love with her ex-friend Lily. Life only gets more complicated for her when her father leaves her mother after 35 years of marriage, causing her mother to go to pieces. Gemma finds herself having to babysit her mother at the age of 32.

Lily is blissfully happy with Anton and their daughter Emer, but she can’t help feeling guilty about Gemma, and is convinced that karma will catch up with her and Anton at some point. She writes a book which is a runaway success, but the publishing world is a fickle business.

Jojo is the literary agent who takes on Lily as a client. Jojo is a strong independent and successful woman – who just happens to be in a relationship with her married boss. She is in a cutthroat business and has a complicated love life. Will her career ambitions and her clandestine romance clash?

I found the story somewhat diverting and it did hold my attention for the most part (it seemed to drift along aimlessly for a little while in the middle, and I think the book would have been more effective if it had been shorter). There’s no doubt that Marian Keyes can write humour very well; however for me the main problem was that I didn’t like many of the characters. Gemma was my favourite out of the main three. She was funny and hapless but obviously intelligent. She was also, in my opinion, far too good for Anton and wasted way too much time feeling sad about him.

I didn’t really like Jojo or her boss Mark. I didn’t like that he was cheating on his perfectly lovely wife, and treated his children like a liability that stopped him from having fun with his bit on the side. I didn’t like that Jojo was complicit in that deception. She was portrayed as a tough woman who takes no s**t, but she was happy to wait around for her cheating boyfriend to let her down time after time.

And Lily!! Don’t get me started. She was supposed to be sweet and sensitive but she came across as such a wet weekend. I felt like shaking her and telling her to get a bloody grip. And Anton just annoyed the heck out of me. Feckless with money and generally  irresponsible, he was full of pipe dreams, which Lily was expected to finance. I kept wanting her to find a backbone and chuck him out.

With all that said, there were things about this book that I enjoyed; I preferred the first third, which featured Gemma’s job a lot more than later, and there was a side character (Johnny) who I enjoyed hearing about.

I remember reading some of Marian Keyes’ other books many years ago – I loved them. This one was not as enjoyable, but whether that’s because of the book or because of my changing tastes, I’m not sure. I probably would give another book of hers a go, as it was pretty undemanding, but it wouldn’t be top of my list.

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This under-the-radar British film delivered far more than I expected, largely due to the (always excellent) Maxine Peake in the lead role.

Peake is Charlotte, for whom a bad day – where she gets passed over for promotion – turns into an absolutely disastrous and terrifying one, when she arrives home and finds her cleaner smoking in Charlotte’s apartment. This leads to a confrontation with tragic consequences.

Things go from disastrous to even more disastrous as Charlotte desperately tries to cover her tracks, and finds herself in situations she could never have imagined, and looking after a young child – something she clearly has no experience with and no clue what she is doing. Eventually she calls her estranged sister Sarah (Christine Bottomley) to help, but things get (even more) worse with the arrival of shifty security guard Roger (Blake Harrison).

I really enjoyed this film – if enjoyed is the right word. It was certainly compelling; it shocked me right from the off, and although Charlotte was initially a deeply unsympathetic character, Peake’s performance was exemplary, and showed just how an ordinary person can end up in a horrific situation.

With a small main cast (the only other major character was the baby!) and a claustrophobic atmosphere, as well as tight pacing, this film had a lot of elements that I  really like in a movie. It is undoubtedly bleak (I watched an episode of Gilmore Girls afterwards to put me back into a lighter mood!), but it is definitely worth a watch.

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