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In Amsterdam in the late 17th century, 18 year old Nella has been promised as a wife to successful merchant Johannes Brandt, but when she arrives at her new home, he is still away on business. Instead, she is met by his prickly sister Marin and staff Otto and Cornelia.

When Johannes does arrive home weeks later, things do not improve – he seems uninterested in being a husband to Nella, and there is constant tension simmering under the surface between all members of the household. Johannes presents Nella with a gift – a cabinet sized version of their house and instructions to furnish it. For the task, Nella engages a miniaturist to supply furniture for the small house, but the miniaturist sends much more – models of the inhabitants which seem to predict events in the future.

Who is the mysterious miniaturist, and how does she know so much about the Brandts? And what secrets lie within the walls of Nella’s new home?

It is difficult to say much more about the plot without giving away significant plot points. I will say however that I did really enjoy this book and can certainly understand the hype surrounding it’s release. The characters all seemed well drawn and believable, and if some of the events took me by surprise, with hindsight they were perhaps obvious and inevitable. Such is the skill of Jessie Burton’s writing however, that they only became so obvious once they had happened (if that makes sense).

Burton does have a lovely turn of phrase and a beautiful way of describing events and scenes, without being overly verbose. The story flowed well, even with the tense atmosphere throughout. The prologue was perfect once I reached the end of the book, and unlike many reviewers I was not disappointed in the ending at all.

Overall, this book gets a definite thumbs up from me and I have already bought Burton’s follow up novel, ‘The Muse’ on the strength of this.

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