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Posts Tagged ‘multiple narrators’

Reading this book in a post-pandemic 2022, I can see why it created such a buzz when it was released. The End of Men was written before Covid-19, and the story revolves around a global pandemic with a 90% mortality rate, which came to be known as The Plague. In this story, only men became ill or died with the virus, although women could be carriers. The book begins in 2025, with a Doctor first realising that there is a common link between a very small number of patients who are all mysteriously dying of an unknown cause, with the same symptoms. As the virus takes hold and spreads around the world, there is widespread panic – there were riots, protests, a race for a vaccine. People were told to stay home, shops were closed, public transport was grounded, and families were divided for fear of transmitting the disease. Of course in the real world this now all feels very familiar.

The book is written from the points of view of several characters, the vast majority of which are women. Some only occupy a couple of chapters, while others are main characters which drive the narrative. Despite the large amount of narrators, I did not find it difficult to keep track of who was who, and each character was clearly drawn and believable. There were also a few newspaper articles and blog posts which made up chapters of their own, again all of which added to the story.

As for whether I liked the book – put it this way, I started this book on a long haul flight; I had downloaded a couple of films to watch during the journey but I didn’t get to them, because I could NOT put this book down. I would have found it very uncomfortable reading in 2020, but felt able to tackle it now, and I found it utterly absorbing, with every page and every character drawing me in, whether I liked them or not. It actually made me cry on a number of occasions when people were discussing their sorrow and grief, either for the people they had lost or the lives that they had planned and now would never had. Not all of the characters were likable, and some of them did some pretty awful things, but these were people dealing with a situation they never could have envisioned.

I stayed up late one night (I was jet-lagged but that wasn’t going to stop me) to finish it, and when I had read the last page, I thought it was one of the best books I have read in recent years. If I could read all books with the urgency I read this one, I would triple my reading output!

Anyway, I highly recommend this book (although beware that it may be triggering to people who are suffering emotionally with the fallout from Covid-19), and will definitely be buying anything else that Christina Sweeney-Baird writes.

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Although marketed as a novel, this is really eight short stories most of which have two narrators, and all of which are linked by a writing desk. It spans decades and countries and is essentially about the secrets we hold within us, even from those closest to us, and how we often don’t know people half as much as we think we do.

Honestly, I wanted to like this so much, but I felt that I just did not end up getting it. A couple of the stores sort of held my interest, but I was bored by most of them and found them self-absorbed. It’s a shame because Nicole Krauss is obviously very capable of eloquent writing, but this felt repetitive – I get the point, there’s no need to keep repeating it – and most of the narrators had the same voice, with little to distinguish them as characters.

I need to get past the idea that once I start a book I have to finish it. Sometimes it’s okay to leave a book unread if you are not enjoying it, and I sort of wish I had with this one. I did enjoy the feeling of relief once I got to the end of it though.

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In Los Angeles in the late 1960s, brothers Billy and Graham Dunne form a rock band called The Six. At the same time, teenager Daisy Jones is discovering her identity, crashing clubs on the Sunset Strip, discovering drink and drugs, and sleeping with rock stars. She eventually becomes a singer and ends up joining The Six. The band went on to huge success and sell-out tours, until mid 1979, when they split up abruptly and without warning. Finally in this book the reasons behind their shock split are revealed.

This was the first book I read in 2022, and I think the third book I had read by this author (although the other two were audiobooks). I breezed through this one very quickly and if it wasn’t for things like eating and sleeping, I probably could have read it in one sitting!

Daisy Jones & The Six are a fictional band, but there were certainly bands like them around in the late 60s and 1970s. This book is written as a sort of interview with different band members and people around them, so the events described are sometimes told very differently by some characters, because of course memory is not always reliable and people always bring their own biases to the table. It’s a style of writing that not everybody will love, but I thoroughly enjoyed it. I really liked seeing the development of the band, spotting things that were happening before the characters themselves were always aware, and watching tensions arise and relationships – good and bad – forming.

Daisy was definitely what you would call a hot mess. WAY too into the alcohol and drugs, and I feared for her. The rest of the band were very relatable and believable with their own distinct personalities. My favourite character was Camila, who was not actually in the band at all but is a very important character throughout. I didn’t always agree with her choices, but she is very much a friend that someone would want to have by their side.

Anyway, a fascinating story that moves apace to keep you interested together with characters that you can really invest in even if you don’t always like them make this a great read. Perfect for kicking off this year of reading.

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This was an audiobook, narrated by Olivia Dowd, Aiofe McMahon, Chloe Massey, Sarah Owens, Rich Keeble and Jot Davies.

Jules, editor of a popular online magazine, and Will, host and hero of a reality tv show called ‘Survive The Night’ are getting married after a whirlwind romance. The destination is a remote Irish island, which is subject to high winds and rough weather. The narration switches between characters, including Jules herself, her half-sister and bridesmaid Olivia, the ‘plus one’ Hannah, best man Jonno and the wedding planner Aiofe.

It becomes clear that all of the guests have a secret from their past and there is a lot of tension simmering beneath the glittering surface. The timeline switches between ‘now’ – the wedding day and evening, and the day before when guests were arriving.

I liked the premise of the book and I generally do enjoy multiple narrators as it can be interesting seeing the same events from different perspectives. But while this started off well, it slipped into ridiculousness with too many coincidences being revealed towards the end. Also, almost all of the characters were just horrible people. I did like Hannah, but pretty much everyone else was awful.

I had high hopes for this one, but came away feeling disappointed.

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Okay, this was another audiobook which I listened to over a few long runs. I mention this because I find that books I can quite like as audiobooks are often books that I know I wouldn’t enjoy if I read them as a physical book and this is one of those. The reason is because when running, I want something to divert me and keep me occupied while exercising. When I’m reading a physical book I want it immerse myself in it; it’s not a diversion from something else I’m doing. For this reason I can listen to chick-lit audiobooks but I rarely actually read one. This was narrated by Gerri Halligan, who did a good job, although I did find her American accent slightly questionable (but not enough to annoy me).

The story is narrated in alternate chapters by three characters…

Gemma Hogan is still smarting from her ex-boyfriend Anton falling in love with her ex-friend Lily. Life only gets more complicated for her when her father leaves her mother after 35 years of marriage, causing her mother to go to pieces. Gemma finds herself having to babysit her mother at the age of 32.

Lily is blissfully happy with Anton and their daughter Emer, but she can’t help feeling guilty about Gemma, and is convinced that karma will catch up with her and Anton at some point. She writes a book which is a runaway success, but the publishing world is a fickle business.

Jojo is the literary agent who takes on Lily as a client. Jojo is a strong independent and successful woman – who just happens to be in a relationship with her married boss. She is in a cutthroat business and has a complicated love life. Will her career ambitions and her clandestine romance clash?

I found the story somewhat diverting and it did hold my attention for the most part (it seemed to drift along aimlessly for a little while in the middle, and I think the book would have been more effective if it had been shorter). There’s no doubt that Marian Keyes can write humour very well; however for me the main problem was that I didn’t like many of the characters. Gemma was my favourite out of the main three. She was funny and hapless but obviously intelligent. She was also, in my opinion, far too good for Anton and wasted way too much time feeling sad about him.

I didn’t really like Jojo or her boss Mark. I didn’t like that he was cheating on his perfectly lovely wife, and treated his children like a liability that stopped him from having fun with his bit on the side. I didn’t like that Jojo was complicit in that deception. She was portrayed as a tough woman who takes no s**t, but she was happy to wait around for her cheating boyfriend to let her down time after time.

And Lily!! Don’t get me started. She was supposed to be sweet and sensitive but she came across as such a wet weekend. I felt like shaking her and telling her to get a bloody grip. And Anton just annoyed the heck out of me. Feckless with money and generally  irresponsible, he was full of pipe dreams, which Lily was expected to finance. I kept wanting her to find a backbone and chuck him out.

With all that said, there were things about this book that I enjoyed; I preferred the first third, which featured Gemma’s job a lot more than later, and there was a side character (Johnny) who I enjoyed hearing about.

I remember reading some of Marian Keyes’ other books many years ago – I loved them. This one was not as enjoyable, but whether that’s because of the book or because of my changing tastes, I’m not sure. I probably would give another book of hers a go, as it was pretty undemanding, but it wouldn’t be top of my list.

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I listened to the audiobook of The Cows, expertly narrated by the author herself, Dawn O’Porter, plus Karen Cass and Laura Kirman. It’s a mixed bag of a book for me – definitely held my attention throughout, but when looked at in retrospect a lot of the things that happened were verging on ludicrous.

The story centres around three women – Tara, a tv executive who makes a silly mistake one night and it threatens to ruin her life; Cam, a well known blogger who has a hugely successful career, but her mother and sisters despair of her life choices; and Stella, a young woman mourning the death of her sister, who is driven to desperate lengths to get what she wants out of life. Each in her own way, refuses to follow the herd and this has consequences for all of them.

Without giving away any spoilers, I thought the story was entertaining enough and as mentioned, extremely well narrated. Although I listen to and enjoy audiobooks, I generally prefer printed books. On this rare occasion though, I think listening to the book enhanced its appeal. Some of the events that happened just seemed so unlikely that it was fairly obvious they were simply there to move to story along. Stella’s story in particular, while it achieved the point of showing how far people will go to make their dream come true, seemed so ridiculous that I almost lost interest. I liked Tara, I quite liked Cam, and I hated Stella although I did feel some sympathy for her.

I think I expected the book to be more of a comedy – and it isn’t. It is a drama, firmly set in the current day – the internet and social media play surprisingly large roles in this story.

Overall, I enjoyed it enough to try another book by Dawn O’Porter, but this is a flawed read, which I would recommend but with some caution.

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I listened to this audiobook across several of my training runs (which is basically how I listen to all of my audiobooks). I generally prefer a physical book to an audio, but I think this one worked as one to listen to.

The two main characters are Tiffy and Leon, and they narrate alternate chapters. Tiffy is just out of a bad relationship and needs somewhere to live, but on minimum wage, and in London, her options are limited. So she answers an ad for an unusual flat share…

Leon is a night nurse, who’s brother has been wrongly imprisoned and Leon needs to earn enough money to pay the appeal lawyer who is working on the case. He only needs his flat from 9.00am – 6.00pm because he is at work the rest of the time and spends weekends with his girlfriend Kay – so the answer seems obvious – he will advertise for a flatmate, who can have the flat to themselves every evening and weekend, as long as he can have it between in the daytime. Although they will be sharing a home and a bed, they need never meet. They still get to know each other though through the various post it notes which turn from quick messages to long conversations, and although Leon is initially bemused by all the girly stuff suddenly filling his flat, they become fond of each other despite never coming into direct contact.

This all sounds like a long explanation, and it is. But it’s set up really well, and I really liked the first half of the book. Both Tiffy and Leon are likeable characters, although very different – Tiffy is verbose and has a tendency to overshare, whereas Leon is quite closed and almost talks in bullet points.

I didn’t like the second half of the book quite as much. For quite a while the story seemed to go in circles and I do feel that a bit of editing could have improved it. It wasn’t awful though and still held my attention. But this being the kind of book it is, I knew – and I suspect every ready will know – how it is going to turn out although there are a few bumps in the road before we get there.

I think books with multiple narrators really benefit from the audio format. Carrie Anne Fletcher and Kwaku Fortune both did a great job of bringing Tiffy and Leon to life.

Overall, while I didn’t love this and don’t share the opinion of the huge amount of reviewers who have fallen in love with this book, it was an enjoyable read and a promising debut.

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I’ve found audiobooks a bit hit and miss lately, and as this one was a Daily Deal from Audible (I probably would have passed it over if I had had to pay full price for it, but for £1.99 it’s worth a punt), I wasn’t sure what to expect. But I’m happy to say I was pleasantly surprised and really enjoyed it – this book kept me company on some long runs, and I actually found myself looking forward to hearing the next ‘installment’.

A quick note on the narrators – we hear from four narrators in the book (one is a character in a book-within-the-book) – and they are voiced by Anjana Vasan, Esther Wane, Sarah Feathers and Andrew Wincott. They were all excellent and I personally think it was a great move to give each narrator their own voice.

The story revolved around Clare Cassidy – one of the narrators – an English teacher at Talgarth High School, which is famous for being the former home of gothic horror writer R M Holland (note – Holland is a fictional character created for this book, more’s the pity, as his short story The Stranger, laced throughout this book, kept me interested!). Clare is in fact writing a book about Holland, and is fascinated by his former quarters at the school which are kept more or less intact. She is horrified when her friend and colleague Ella is murdered, and even more horrified when she realises that the murder is connected somehow to the murders in Holland’s most famous story – and possibly to Clare herself.

DS Harbinder Kaur is the detective leading the investigation into the murder(s) and also narrates parts of the book. She is obviously wry and cynical, but clearly clever and brave, and without doubt was my favourite character. Her narrated chapters were my favourite parts of the story.

The third narrator was Clare’s teenage daughter Georgia, who provides important elements to the story, having inherited her mother’s passion for writing and fascination for gothic horror.

The fourth ‘narrator’ was the main character of R M Holland’s story The Stranger. As mentioned earlier, this story is told in excerpts through the book, and – brilliantly – is told in its entirety at the end.

Each character was distinct and believable, and I loved hearing about the same events from different viewpoints. I don’t want to give too much away because this book deserves to be read/listened to unspoiled, but I would highly recommend it. I actually did  guess the culprit, but it was fairly near the end of the book, and only because if you suspect enough people, you will probably end up hitting on the right one eventually!

I’ve never read anything by Elly Griffiths before but based on this book, I would definitely read more by her in future.

 

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This was another audiobook to keep me company while running. It is only this year that I have really got into audiobooks and I have discovered a curious thing – even if I don’t particularly like an audiobook, somehow it seems to keep my attention, in a way that a physical book which I wasn’t enjoying, would not be able to do. This book kind of falls into that category.

The story is told from multiple points of view, but it kind of feels like Ella Longfield’s story, as hers is the only point of view narrated in the first person. Ella is on a train journey when she overhears two young men chatting up two girls. When it becomes apparent that the two men have just been released from prison, Ella becomes alarmed and considers intervening but decides not to. However, the next morning one of the girls, Anna Ballard, has gone missing and Ella feels guilty that she did not step in.

Cut to a year later – Anna has still not been found, and Ella is full of guilt. She starts receiving threatening postcards from an anonymous sender, which tell her that she is being watched. Meantime, the investigation into Anna’s disappearance rumbles on, with chapters told by Ella herself (‘The Witness), Anna’s father (‘The Father’), Anna’s friend Sarah who was with her on the train (‘The Sister’) and Matt, a private detective who Ella employs to find out who is sending the postcards (‘The Private Detective’). There are also very occasional chapters narrated by ‘Watcher’ whose identity for obvious reasons, is not revealed. It soon becomes obvious that everyone connected to Anna has secrets and throughout the story it seems that any one of them could be guilty.

So far, so interesting. The premise is great – what would you have done? Would you have intervened? Would you have left well alone? Would you feel guilty in Ella’s position? And of course there is the whodunnit angle…who is sending the postcards? And what really happened to Anna?

So – there was plenty about this book that kept me listening. However, there were also things that annoyed me. Ella was not a particularly interesting narrator or main character. Can I go so far as to call her dull? (Yes, is the answer.) And considering that actually, she didn’t do anything wrong, she carries a tremendous amount of guilt, almost making the case all about her. I didn’t mind the multiple points of view that narrated the different chapters, and in fact I did particularly like Matt the private detective, albeit a lot of his personal story (his wife had a baby and he learns to adjust to fatherhood) was irrelevant. However, each chapter had a cliffhanger which was obviously a ploy to keep the reader/listener interested, but just ended up being a bit annoying and felt contrived.

The other problem was the ending. Okay, so I didn’t guess who the culprit was, but the things is that I don’t believe anyone guessed, because there was absolutely nothing – no clues, no hints – given earlier on. It seems slightly unfair to keep readers guessing and then to spring a culprit on them out of left-field. The best mysteries to me are when you are surprised by the identity of the culprit but then realise that the clues were there all along.

Overall, I would say that if, like me, you are listening to this in an effort to distract you from something else, it does the trick, but otherwise I probably would not recommend it. Fans of psychological thrillers or whodunnits can find similar stories done much better.

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One rainy November evening, a young mother is bringing her five year old son Jacob home from school when she lets go of his hand for a second. Long enough for him to get killed by a hit-and-run driver, who becomes the subject of a police investigation.

Devastated by her memories and haunted by her past, Jenna Gray moves to a remote cottage in Wales, where she tries to get over her grief. And bit by bit she starts to find a new purpose in her life – but just as she finally sees light at the end of the tunnel, her past comes back to find her.

I’ve had to be deliberately ambiguous about the plot of this book, because I don’t want to give anything away. However, if you are a fan of psychological thrillers, then I would highly recommend it. I thought the plot was very clever, and all of the characters – particularly Jenna and DI Ray Stevens, the man in charge of the investigation into Jacob’s killer – were very well depicted and easy to invest in.

There are multiple narrators in this book – Jenna tells the story in the first person, while a third person narrator describes the police investigation and delves into the personal life of Ray Stevens. A third narrator enters the story at a later point, but to say who would reveal too much.

The author was actually in the Police Force, and it shows in her knowledge and descriptions of police procedure. I also liked how she revealed the story bit by bit, and for the first time in a while when reading a novel, I had to stop myself from looking a few pages ahead, because I really wanted to know what was going to happen.

The blurb on the cover as well as every review I’ve read of this book state that there is a big twist, so I don’t think I’m revealing anything new by saying that here – however, I think I would have enjoyed it even more if I hadn’t known there was something twisty coming. The twist itself was cleverly written, and had I not been expecting it I would have been totally thrown.

This is an accomplished debut, and I will definitely be looking out for further books by Clare Mackintosh.

(Author’s website can be found here.)

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