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Posts Tagged ‘mystery’

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I listened to this audiobook over the course of several training runs. The storyline revolves around a marriage between Simon and Marianne Wilson – and it soon becomes apparent that it is a deeply unhappy marriage and that Simon is a bully and a liar. There are no spoilers here, as this is made clear very early on in the story.

Marianne, who narrates the story, becomes suspicious when her husband mentions a woman who he works with, and immediately suspects that he is having an affair. She has had such suspicions before but this time it’s different. She knows deep inside that something is going on, and that this relationship could be the one that threatens her marriage and could cause her to lose her children. And Marianne is determined that that won’t happen.

I’ll be honest – for the first couple of hours of this book, I was tempted to give up on it. Within half an hour I had decided that I didn’t like either Simon or Marianne, and there seemed to be so much repetition in what Marianne was saying  that the whole listening experience was somewhat tiresome. This is no fault of the narrator Katie Villa, who did an excellent job, but more the writing itself.

However, about halfway through it suddenly got a lot more exciting and things started moving at a much quicker pace. I actually enjoyed the second half of the book a lot – there were two twists, one of which I guessed quite early on, and the other which I did not guess at all (always a plus in my book).

Overall I would say that this was a book of two halves, and I am glad I stuck around for the second one. If you like psychological dramas and unreliable narrators, I would give this a try.

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Amok was originally published in German, but has been translated and turned into this audio dramatisation, featuring – amongst others – Adrian Lester and Natasha McElhone.

The story opens with Jan May, an esteemed psychologist, waiting for his girlfriend Leonie to arrive for dinner. Tonight is the night he is going to propose but then he receives a panicked phone call from her telling him that “they” are going to tell him she has died, and not to believe “them.” Almost instantly, a policeman appears at his door and tells him that Leonie has died in a traffic accident.

Several months later, Jan takes a radio presenter and several visitors to the radio station hostage, and takes over the programme. He says that he will be phoning a random member of the public each hour and if they do not answer with the correct slogan, he will shoot a hostage dead.

Meanwhile, police negotiator Ira Samin has decided that today is the day she is going to kill herself. Unable to get over her eldest daughter’s suicide for Ira blames herself, and distraught because her younger daughter won’t speak to her, Ira sees nothing to live for. But when Jan May says that she is the only negotiator he is prepared to deal with, her plans to kill herself are put on hold. She has to negotiate with him live on air and this  includes discussing her dead daughter and revealing intimate secrets. He demands that she finds out the truth about Leonie, otherwise all of the hostages will die.

Although that sounds like a detailed synopsis, all of the above happens early on in the story – as Ira delves deeper into the mystery surrounding Leonie, she discovers the truth at the same time as the listener.

This is the second audio dramatisation I have listened to, and I do enjoy them; in this case the cast, which includes the aforementioned Adrian Lester and Natasha McElhone, as well as other stalwarts of theatre and television such as Rafe Spall, Brendan Coyle and Peter Firth, were all excellent. The narrator who joined the seams together was Robert Glenister, who can also always be relied upon to put in a solid performance.

While the production held my attention, particularly in the first half, the story did get somewhat convoluted and far fetched in the second half, and relied heavily on coincidence. I would have preferred a straightforward hostage drama, rather than the machinations that transpired. Nonetheless, this was still an entertaining production and I would listen to other dramatisations of Fitzek’s work.

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Nick and Audrey (Adam Sandler and Jennifer Aniston) are headed to Europe for a cheap anniversary holiday when they are invited to spend their holiday aboard a luxury yacht, courtesy of Viscount Charles Cavendish (Luke Evans).. While on the yacht, Charle’s rich uncle is murdered and Nick and Audrey find themselves in the middle of a murder mystery. There were limited guests on the yacht, and one of them is a killer. And when others start turning up dead, it’s clear that all of their lives are in danger! It sounds like an Agatha Christie novel, and this movie definitely plays homage to Christie, but it’s played strictly for laughs. I personally find Adam Sandler very hit and miss (more miss than hit) but I really enjoyed this film.

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Year of release: 2019

Director: Kyle Newacheck

Writers: James Vanderbilt

Main cast: Adam Sandler, Jennifer Aniston, Luke Evans, Gemma Arterton, David Walliams, Dany Boon, John Kani, Adeel Akhtar, Olafur Darri Olafsson, Luis Gerardo Mendez, Shioli Kutsana, Terence Stamp

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Genre: Comedy, mystery

Highlights: Jennifer Aniston, a great ensemble cast

Lowlights: None

Overall: If you like wacky comedies and mystery stories, give this a whirl. It’s never really tense, but always entertaining

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The Blurb

You wake. Confused. Disorientated.
A noose is round your neck.
You are bound, standing on a chair.
All you can focus on is the man in the mask tightening the rope.
You are about to die.

John Wallace has no idea why he has been targeted. No idea who his attacker is. No idea how he will prevent the inevitable. Then the pendulum of fate swings in his favour.
He has one chance to escape, find the truth and halt his destruction. The momentum is in his favour for now. But with a killer on his tail, everything can change with one swing of this deadly pendulum…

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My Thoughts

I listened to this as an audiobook, narrated by Luke Thompson who did a great job. The narrative hits the ground running – rather than any introductory back story, it starts slap bang in the middle of an attempted murder. When photographer John Wallace is attacked in his apartment, he feels sure that he is about to die, but manages to escape by the skin of his teeth. However, his attacker is relentless and seemingly able to track John, no matter where he hides. John has to find out who is trying to kill him, and more importantly why – but his journey will take him across an ocean and down some very dark paths.

I really liked the first part of the book – the action was fast moving and the characters were well fleshed out. However, when the story moved to New York, it faltered somewhat for me, as it began to include elements of cyber terrorism (don’t worry – no spoilers here) and it became unbelievable as Wallace seemed to be able to somehow defy numerous attempts on his life, while around him the body count continued to rise.

Hamdy definitely knows how to write an action sequence, and Luke Thompson’s narration matched the pace of the storyline. However, the second half of the story was something of a slog for me. This book is the first in a series, and although it’s easy to see where the set up for the next book comes in, there was enough closure here for anyone who didn’t want to read any more. I fall into that category – this wasn’t awful, but didn’t interest me enough to want to read any more about the Pendulum case.

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Year of first publication: 2016

Genre: Thriller, action, mystery

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The Blurb:

We’ve all seen him: the man – the monster – staring from the front page of every newspaper, accused of a terrible crime. But what about her: the woman who grips his arm on the courtroom stairs – the wife who stands by him? Jean Taylor’s life was blissfully ordinary. Nice house, nice husband. Glen was all she’d ever wanted: her Prince Charming. Until he became that man accused, that monster on the front page. Jean was married to a man everyone thought capable of unimaginable evil. But now Glen is dead and she’s alone for the first time, free to tell her story on her own terms. Jean Taylor is going to tell us what she knows.

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My thoughts:

First, let me warn anyone who is thinking of reading this, that the blurb on the back cover – as above – is somewhat misleading. Second – I’m in two minds about this one. I definitely think Fiona Barton can write, and the characters were all well drawn and fleshed out.

There are two timelines – 2010, which for the purposes of this novel is the present day, and 2006, which is when the little girl that Glen Taylor was accused of abducting, disappeared. The vast majority of it actually takes place in 2006, with the 2010 storyline concentrating on a journalist called Kate who wants to get Jean’s story.

The chapters are told from separate points of view – ‘The Widow’ – Jean Taylor; ‘The Reporter’ – Kate; ‘The Detective’ – Bob Sparkes who was in charge of the original investigation and is still haunted by the matter years later; and ‘The Mother’ – Dawn, the mother of the abducted child. I liked Bob and I quite liked Kate, but Jean and Dawn both left me cold.

At times the book was very suspenseful, but at times it did drag slightly as there seemed to be a lot of back-and-forth, and did-he/didn’t-he, with the same ground being trodden over. But despite that, I did quite enjoy this book and would almost certainly read more by Fiona Barton. It doesn’t have the twists and turns of a book like Gone Girl, but for my money it’s better written than Gone Girl (and as with every other psychological thriller which has been released since that book, this one has been compared to it – ignore the comparisons, it’s totally different).

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Year of first publication: 2016

Genre: Psychological drama

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The Blurb: 

England, September 1939. Lily Shepherd boards a cruise liner for a new life in Australia and is plunged into a world of cocktails, jazz and glamorous friends. But as the sun beats down, poisonous secrets begin to surface. Suddenly Lily finds herself trapped with nowhere to go…

Australia, six weeks later. The world is at war, the cruise liner docks, and a beautiful young woman is escorted on to dry land in handcuffs.

What has she done?

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My thoughts: 

I had really been looking forward to reading this book, believing that it was some kind of murder mystery set in turbulent times. It sounded like just the kind of book I would enjoy, and I did enjoy it although it was not quite what I expected and the comparisons with Agatha Christie which I read in some reviews were way off the mark. But that is not to complain – it’s a well written story, definitely more character driven than plot driven. The threat of WWII looms large and causes tension among the passengers, especially when Lily makes friends with a young Jewish woman named Maria, much to the disapproval of some other passengers.

Other than Lily herself, the main characters are a brother and sister named Edward and Helena, who befriend Lily, and a glamorous American couple named Eliza and Max Campbell who have a scandalous background. All the different personalities thrust together in an intimate setting, are bound to make for tension and this tension pervades the story.

I did not guess the ending, although in hindsight, there were clues peppered throughout the book. I did think it was cleverly written and would definitely read more by this author.

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Year of first publication: 2017

Genre: Mystery, drama

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Murder on the Orient Express, is one of Agatha Christie’s best known and most loved novels. Hercule Poirot is travelling on the train when one of the passengers, a Mr Ratchett, is murdered. Now Poirot must sift through the evidence and work out which of the other passengers wanted Ratchett dead – and why.

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Although I am classing this as an audiobook, it’s actually more of a dramatisation of the novel, rather than a straightforward narration. Art Malik is the narrator but he in fact he serves mainly to provide links from scene to scene. As lovely and delicious as his voice is, the real star of the production is of course the character of Poirot, performed here by Tom Conti, who imbues his Poirot with just the right amount of eccentricity with a dash of arrogance.

The mystery at the heart of the story is an excellent one, and if I didn’t already know something of the ending, it certainly would have kept me guessing. My favourite performers apart from Conti were Paterson Jospeh and Sophie Okonedo as Colonel Arbuthnot and Mary Debenham respectively, but the whole cast were excellent and really brought the story alive.

I really hope that Audible gives the dramatisation treatment to more of Agatha Christie’s works, as I found this a splendid and enjoyable listen. Highly recommended.

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Year of first publication: 1934 (novel) 2017 (this dramatisation)

Genre: Murder mystery

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