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Posts Tagged ‘new york’

Another evening, another Campbell Scott movie. In Roger Dodger he plays against type as Roger, a sleazy, womanising ad agency executive in NYC; the film opens with a short scene in a bar after which Roger is unceremoniously dumped by his girlfriend Joyce (Isabella Rossellini), who is also his boss. Shortly afterwards his awkward 16 year old nephew Nick turns up in the Big Apple looking for advice from his uncle on how to attract the ladies. What follows is a journey through a NY night out, where Roger introduces Nick to various women and imparts his own brand of wisdom on how to attract and treat ladies. Roger has no respect for women, or indeed for practically anyone. He proudly admits that his job is to make people feel bad about themselves so that they will buy into whatever he is advertising. He is basically an extremely charismatic bastard. He would be easy to hate, but there’s the thing – there are moments, just a few but enough, that you do feel sorry for him. He may not admit it to himself or to anyone else, but we can see that he IS hurt by Joyce finishing their relationship. Campbell Scott is fantastic in this movie because in the hands of a lesser actor, Roger would just be a very one-dimensional character, but there’s clearly more to him somewhere. Kudos also to Jesse Eisenberg, who embodies the nervous, slightly misfit teenager.

It’s a very talky film – lots of lots of dialogue and not an awful lot of action. Roger and Nick drift from scene to scene encountering different women but it’s really all about the words. If action is your thing then this might not be for you, but if you like dialogue-heavy films, then you may enjoy this. I also love films that take place over one night or over one short period of time, and this dilm does exactly that.

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This book has been sitting on my to-read shelf for years – fourteen to be precise!! I finally decided it was about time I read it, and I kind of wish I had picked it up earlier because it was much more enjoyable than I expected. You would be forgiven for looking at the cover and assuming that it was standard chick-lit fare (not that there’s anything wrong with that), but there’s more to this book than that.

The book is narrated by Sophie Applebaum, who is 12 years old in the first chapter, and the middle child in a loving family. Each chapter jumps on a few years from the one before it and the reader therefore has to fill in the gaps themselves. Additionally each chapter could be read as a standalone short story, which is the same format as Melissa Bank’s previous book ‘ A Girl’s Guide to Hunting and Fishing’.

Sophie focusses a lot on her romantic relationships, but there are also other themes at play – death, illness, lost friendships, job worries and other factors are all part of the story.

I liked Sophie very much. She was very funny, and as she narrates in the first person I have to assume that Melissa Bank is also very funny with a quick sense of humour. The character was identifiable, as were her relationships with her friends and family, especially her two brothers. The story doesn’t really build up to one event, but rather it is slices of life. The somewhat disjointed storytelling might not appeal to everyone, but I really enjoyed it and will look for more by Melissa Bank – and new time I won’t leave it fourteen years to read them!

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This book tells the history of New York from the 1660s (before it was called New York) through to – almost – the present day. The last chapter is set in 2009.

It mainly follows the fictional Master family through several generations, but other families also appear throughout, with actual real life events as the backdrop. Not always a backdrop actually – the American Civil War and the War of Independence are both huge storylines which affect the main characters greatly.

The novel is over 1000 pages long, but thankfully very readable and not at all dry. If you were interested in learning the history of New York, then this would be an excellent book to read, and by inserting fictional characters who a reader can invest in, it is so much more than just a history lesson. If like me, you just love New York, then I think you would find plenty to enjoy about this book.

I thoroughly enjoyed it, although I would have liked to have had something about World War II and the Vietnam War in there, but it would be impossible to include everything, and this is very much a history of New York rather than America.

It’s very clear that Edward Rutherfurd has researched his subject extensively and as a result the reader is rewarded with a vibrant and colourful history and love letter to one of the most exciting cities on earth. Highly recommended.

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This audiobook, narrated by Todd Boyce, follows an unusual format, in that it starts at the end of the story and then goes backwards in time, with each chapter being set earlier than the previous one. It’s an interesting idea, and I’m not sure that it completely worked. The ending (or the beginning, as it were) was very satisfying and provided lots of ‘aha!’ and ‘wow!’ moments, but for the first few chapters (or indeed the last few!) it was confusing and somewhat frustrating. Jeffery Deaver has written some excellent books, and I don’t think this is one of them. It was good in the end, but I was tempted to give up on it after listening for the first hour or so.

Anyhow, the story revolves around a woman named Gabriella MacKenzie, sitting in a room with a man who is obviously there to look after her, while she anxiously awaits to hear if her kidnapped daughter Sarah has been rescued. Sarah was taken by a mysterious man named Joseph, who demands a huge sum of money and a mysterious document called The October List, which Gabriella’s boss has ownership of, and which contains details of people he had been dealing with in criminal financial activity. The boss has disappeared with the list and with Joseph’s – and several other people’s money – and Joseph wants it back. The story covers Gabriella and her new boyfriend Daniel’s attempts to retrieve the mysterious list and get it to Joseph before her daughter comes to any harm.

The narration was fine and the story was clever, but as mentioned above I’m not sure I would read something else written in this format. Normally when people are introduced into a story, there is some background or information provided about them which gives the reader an idea of the role they are going to play. Not so here however; characters are introduced with no explanation of how they fit into this story. It’s kind of like piecing together a jigsaw without ever having seen the picture you’re trying to make.

So a bit of a mixed bag. If you manage to get halfway through then it’s definitely worth sticking with it, but be prepared to be a bit lost at first.

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In a nutshell: Journalist A J Jacobs decides that it’s time to get healthy, but rather than gong down the more conventional route of eating better and moving more, he decides to focus on a different part or area of the body each month and investigate how to make that particular part the healthiest it can be. This involves learning about lots of differing and (often contrasting) health theories and experiments/studies, and speaking to several experts. There’s a fair amount of quackery going on, but Jacobs takes note of everything he hears, and is prepared to give anything a try.

It’s definitely entertaining and often amusing. For my money, it was not “riotous, madcap” as one review on the cover put it, and it did not make me “laugh my ass off,” as claimed by another review. But it was engaging and easy to read – it explored the science and thinking behind the studies and claims, but did not get too bogged down in technicalities. Jacobs is clearly a huge worrier and he knows it – something that I identify strongly with – and catastrophises a lot, always imagining the worst case scenario (again – this was hugely relatable to me). He’s very engaging and very likeable, which heightened my enjoyment.

One thing to note is that Jacobs lives in New York and this book is very American leaning. Not a problem for me, but some of the things that he tries might not be so accessible to people who don’t live in such a metropolis where everything conceivable relating to health is pretty much on the doorstep!

It’s not a healthy living book, and certainly not to be taken as guidance, as he himself makes clear.

Im summary, if you are looking for a hilarious madcap adventure, then I would not say that this is it. But it was an enjoyable and if you like (mostly) light-hearted non-fiction, then you might well enjoy this.

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Last year I read ‘The Rosie Project’ by Graeme Simsion – a hugely enjoyable book, of which you can see my review here. This book is the follow-up, and sees Don and Rosie now living in New York, and Rosie pregnant. In addition, Don’s friend Gene has broken up with his wife and comes to New York to stay with them – which doesn’t please Rosie.

Don is shaken by Rosie’s pregnancy as it was not planned, and Rosie is worried about Don’s suitability as a father. The couple find themselves facing problems which they are not sure how to work out.

Although Don’s character has grown slightly since the first book, he is still painfully literally and brutally honest, which often leads to misunderstandings or offence. The book is narrated by Don, so we do see his point of view in a way which we wouldn’t if it were told in the third person…that said, it would be interesting to see the same events from Rosie’s side!

I enjoyed the book a lot, but probably not as much as the first one. For a while the story seemed to go round in circles, and I just wanted it to be resolved one way or the other. However, there were still plenty of humorous moments – and indeed some touching moments – which kept my interest. Overall I would say that if you enjoyed the first book, you should give this one a try.

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The Blurb

You wake. Confused. Disorientated.
A noose is round your neck.
You are bound, standing on a chair.
All you can focus on is the man in the mask tightening the rope.
You are about to die.

John Wallace has no idea why he has been targeted. No idea who his attacker is. No idea how he will prevent the inevitable. Then the pendulum of fate swings in his favour.
He has one chance to escape, find the truth and halt his destruction. The momentum is in his favour for now. But with a killer on his tail, everything can change with one swing of this deadly pendulum…

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My Thoughts

I listened to this as an audiobook, narrated by Luke Thompson who did a great job. The narrative hits the ground running – rather than any introductory back story, it starts slap bang in the middle of an attempted murder. When photographer John Wallace is attacked in his apartment, he feels sure that he is about to die, but manages to escape by the skin of his teeth. However, his attacker is relentless and seemingly able to track John, no matter where he hides. John has to find out who is trying to kill him, and more importantly why – but his journey will take him across an ocean and down some very dark paths.

I really liked the first part of the book – the action was fast moving and the characters were well fleshed out. However, when the story moved to New York, it faltered somewhat for me, as it began to include elements of cyber terrorism (don’t worry – no spoilers here) and it became unbelievable as Wallace seemed to be able to somehow defy numerous attempts on his life, while around him the body count continued to rise.

Hamdy definitely knows how to write an action sequence, and Luke Thompson’s narration matched the pace of the storyline. However, the second half of the story was something of a slog for me. This book is the first in a series, and although it’s easy to see where the set up for the next book comes in, there was enough closure here for anyone who didn’t want to read any more. I fall into that category – this wasn’t awful, but didn’t interest me enough to want to read any more about the Pendulum case.

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Year of first publication: 2016

Genre: Thriller, action, mystery

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This is the story of two New York sisters – Meghan Fitzmaurice is America’s favourite breakfast television anchor, while younger sister Bridget is a social worker, trying to help women from the Bronx projects find a better life. The sisters are good friends, and life seems to be coasting along nicely – until the day that Meghan, not realising that she is still on air, swears on live television and her career and personal life both go into freefall.  The fallout affects not just Meghan, but her husband Evan and their teenage son Leo.

Narrated by Bridget, the story takes in not just the aftermath of Meghan’s error, but is also a love letter of sorts to New York, and a history of the two sisters’ lives as well as their relationships with the men – and other people – in their lives.

I wasn’t too sure what to make of this book. On the one hand, I definitely think Anna Quindlen is a talented writer and I found myself reading large chunks in one go which is always a good sign (a bad sign is when I put a book down after a few pages and look for something else to distract myself). On the other hand….I felt slightly removed from the action. This was not one of those books where you feel excited to find out what will happen next and neither did I really care about any of the characters. Although the on-air gaffe was entirely unbelievable, the incredible over-reaction to it was not so much. I didn’t warm to Meghan much at all, and possibly this was because the story was narrated by Bridget – even though Bridget is possibly her sister’s biggest supporter. I think it was an interesting idea to have the sister as the narrator, but it would have been quite nice to see Meghan’s point of view, even if perhaps they alternated chapter narrations.

From other reviews I’ve read it seems that fans of Quindlen’s other books were largely disappointed with this one. For me, this was actually the first book of hers that I’ve read and I would probably be interested in trying another on the back of it.

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Lucy and Gabe meet in New York on September 11th 2001, the horrific events of that date causing both of them to want to do something meaningful with their life. Eventually they start a relationship and over the next 13 years, they enter and leave each other’s lives on several occasions, although their choices take them in different direction. However, they are drawn to each other and seemingly unable to forget each other. The book is narrated by Lucy and she is talking to Gabe, although their current (2014) situation does not become clear until the end of the story (although I guessed at what would happen and was more or less correct).

I am in two minds about this book. As I always do when I finish a book, I go online to look at other reviews and it seems that this story polarises readers – most seem to either love it or hate it. Without wanting to be contrary, I am torn. On the one hand, I do think the writing itself was absolutely lovely, eloquent and almost poetic at times. I listened to the audiobook which was narrated by the author Jill Santopolo, and I thought she did an excellent job. I would probably read another book by Santopolo, based on the writing alone.

However….the character of Lucy irritated me SO MUCH!! She and Gabe had a relationship of a little over a year, and during the next twelve years she met and married Darren and had a family with him. Nonetheless, even though Gabe would go months or years without contacting her, he would sometimes email her right out of the blue and she would drop everything to go and see him. I think we were supposed to see Gabe as deep and introspective, but actually he just seemed selfish and thoughtless. At one point he does an exhibition of his photography in a New York gallery, and when puts photos of Lucy in it without asking her permission or even telling her – this, after she has been married to Darren for several years and has children. When she asks him why she would do that and put her in such an awkward position he says he didn’t ask her because he thought she would say no. THAT’S EXACTLY WHY YOU’RE SUPPOSED TO ASK!! Seriously, this guy would drop her like a hot potato and then pop back up when it suited him. He was undeserving of her adoration and it frustrated me that she warbled on and on about him, often to detriment of her marriage.

So, a mixed bag for me – it kept me entertained during long runs, which is the main reason I listen to audiobooks, but it also annoyed me. I would probably recommend it based on the amount of great reviews it has – clearly a lot of people do love this book – but based on my own opinion I would recommend waiting for this author to write something else.

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As a teenager, Theo Decker survives a terrorist attack in a museum, which kills his beloved mother. In the immediate aftermath of the attack, Theo makes a split second decision and steals a painting which his mother always loved – The Goldfinch. This incident, and indeed the painting itself, sets the course for his life – a life which as a reader, we join him on as he makes friends and enemies, makes bad decisions which reverberate for years, falls in love and in lust, and eventually gets mixed up in the criminal underworld.

Well, this is a brick of a book – coming in at over 850 pages of smallish font – if I’m honest, the size of it put me off reading it for a while, but once I picked it up I was glad I had done so. After reading it, I did what I usually do when finishing a book and went online to read reviews of it. What struck me the most was that it seems to be a very polarising read – people generally loved it or hated it. It certainly seems to be the least well received of all of Donna Tartt’s offerings, and this is good news for me, because if this is the worst she has to offer, then I definitely look forward to reading the best! I enjoyed the book a lot, especially the first two thirds, which cover Theo’s teenage years. It’s fair to say that not all of the characters are particularly likeable (except for Hobie, Theo’s guardian of sorts, who is just adorable), but they are all beautifully drawn and utterly believable.

The writing is elegant and often beautiful – Tartt uses a lot of words to describe the most mundane and ordinary events, and while this can be annoying with some authors (just get to the point!!) here it works really well, because it is just such a pleasure to read lovely prose. The story is told in the first person from Theo’s point of view, which is good because if we had seen Theo from the outside in, I think he would have been much harder to like or understand.

If I’m honest, I did think that the last part of the book paled in comparison to what had gone before, but it still held my attention and at the end, I came away satisfied.

All in all, I would highly recommend this book – don’t be put off by the size…while the story doesn’t always move particularly quickly, the writing does draw you in. I look forward to reading more by Donna Tartt.

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