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Last time I saw Jonathan Slinger at the Royal Shakespeare Theatre, he was playing Malvolio in the comedy Twelfth Night – and he very nearly stole the show.  Here, he takes on an entirely different role – that of Hamlet, the tortured, grieving young Prince of Denmark, who seeks to avenge the death of his father, who Hamlet is convinced was killed by Claude, the brother of Hamlet’s father.  Claude is now married to Hamlet’s mother Gertrude, and is also King of Denmark.

This particular performance seems to have divided the critics and the audience; I fall firmly on the side of ‘loved it’.  The play was enthralling throughout, and the whole cast were excellent.  Slinger was outstanding – his Hamlet teetered on the thin line between sanity and madness; his grief and fury at the loss of his father, and the subsequent rapid remarriage of his mother were all too believable.  He also injected some humour into some of his exchanges and mannerisms.  The whole cast was actually wonderful – as well as Slinger, I loved Pippa Nixon as Ophelia, who loved Hamlet but was tragically caught up in his extreme emotions, and who eventually suffered a breakdown with terrible consequences.  Alex Waldmann was perfect, and very endearing as Horatio, Hamlet’s kind (and rational) friend, and Robin Soans provided some great comedy as Polonius.

For this production, the play was set in the 1960s, with one character wearing a CND symbol on his coat, and Hamlet sharing a spliff with his old friends Rosencrantz and Guildenstern.  The stage was made to look like a gymnasium, complete with the necessary fencing equipment needed for the final scenes.

My favourite scenes were the famous ‘To Be or Not to Be’ soliloquy, and the final devastating scenes.  After the tense build-up, the showdown needed to be dramatic and shocking – and it was.

All in all, a wonderful production, and I recommend it whole-heartedly to fans of the play, and fans of good drama.

(To find out more about this production, or about the Royal Shakespeare Company, please click here.)

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Click here for my review of the 2000 film adaptation of Hamlet.

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