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After her boyfriend cheats on her, Martha (Anna Kendrick) is devastated – until she meets Francis (Sam Rockwell), a man who seems perfect for her in every way. Well…in almost every way. Because Francis is a hit-man. But he’s a charismatic hit-man who is bored with the lifestyle, believes murder is wrong and now has a penchant for killing those people who hire him.

Unfortunately, Hooper (Tim Roth), an old colleague of Francis, is determined to kill our hero, and things are further complicated by a mob family who want to hire Francis to kill the leader so that the stupid younger brother can take over.

Reading the above synopsis, you would be forgiven for thinking that this film is a drama, or a thriller. You probably wouldn’t expect it to be a rom-com, but that’s what it is. There is a lot of violence, so if thats off-putting to you, then you might want to give it a miss. But there’s an equal amount of comedy to balance it out, and I did genuinely laugh out loud several times.

I love Tim Roth – he is just electrifying to watch – and his role here was extremely funny, and he sets the precedent for this in the first scene. Sam Rockwell is also brilliant, and ideal for the role of Francis. We can understand why Martha is so drawn to him, even after she realises what he does for a living. And Anna Kendrick was a delight too. I won’t mention all of the supporting cast, but there was not a bad performance among them.

I really enjoyed this film and would definitely recommend it. (Special shout out to the excellent use of the song ‘My Type’ by Saint Motel – great track used to great effect).

 

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I listened to this audiobook over the course of two runs, on 23rd and 24th December. I wanted something Christmassy, but nothing too long, so this fit the bill. It’s narrated by Rebecca Courtney, who did a fine job.

Milly Arnold has always loved Christmas, but when she is dumped just before December, she loses enthusiasm and the last thing she feels like doing is the yearly tradition of helping her young nephews write their Christmas list. But she does so anyway and writes one of her own, asking for flowers, chocolates and shoes. When all of these things come her way, she wonders if she has tapped into a way of making all her dreams come true…

What can I say about this? It’s a bit fantastical, a bit humorous and an enjoyable enough listen, peppered with likeable characters. It’s not the most groundbreaking book, and neither is it meant to be – but if you want something short, festive and a bit chicklit-ty (but with an unusual twist) then maybe give this one a whirl.

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I’m not sure how this film managed to slip under the radar to the extent that it has. After all, it stars two very well known actors, and one of them is Keanu Reeves – a man who it’s virtually impossible to dislike (it might even be illegal at this point!)

Anyway, I love Keanu and I think Winona Ryder is a terrific actress in this kind of role so I looked forward to watching this film, and I wasn’t disappointed. Frank (Reeves) and Lindsay (Ryder) meet up when they both travel to the same destination wedding – one which neither of them wants to attend. Initial animosity turns to friendship and affection, but both have tainted views of relationships and want to insulate themselves against pain, so determine that they should not get involved.

if that sounds angsty, the film itself isn’t. It’s charming, very funny and unusual in that Frank and Lindsay are the only two characters who actually speak throughout the film. It’s so cleverly done though, that it was only after I had finished watching that I actually realised this. There are other people in it of course – but they don’t have lines.

Both characters have the potential to be very unlikeable. Frank is a narcissist, and Lindsay verges on neurotic – so casting two likeable actors was a smart move on the part of the filmmakers, because while you are not blind to their very human flaws, you also actually do care about these characters and get invested in their story (at least I certainly did).

It’s a rather lovely film, and I would certainly recommend it.

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Emma George has a job in TV, which is less exciting than it sounds, and a long term boyfriend Ned, who is less reliable than a boyfriend should be. And then she finds herself accidentally pregnant in the same week that she loses her job, and breaks up with Ned.

She is lucky enough to inherit a cottage and find temporary work, and an accidental lodger, but she still realises that soon she is going to be wholly responsible for another person, and things are going to have to change…

SPOILERS CONTAINED BELOW!!

I listened to the audiobook of this novel, narrated by Rosie Jones. I would have to say that the narration was excellent; unfortunately that’s the only thing that I *can* say was excellent. My main issue is that clearly the reader/listener is supposed to identify with Emma and root for her, and…well, she is just a terribly selfish, judgemental and spiteful human being. Horrible human beings can make for interesting main characters but the reader/listener is supposed to be well aware that they are horrible characters; we are not supposed to be expected to support their behaviour!

This started out quite amusing in parts, but what ruined it for me was when Emma constantly fat-shamed another character. Martha’s size and eating habits were completely irrelevant to the story, yet literally every sentence that mentioned her (and there were a LOT) made an unkind reference to the character’s weight. Furthermore, when Martha correctly chastised Emma for not doing her job properly, Emma videoed Martha after she had had sex with someone, and then blackmailed her with the footage top stop Martha reporting Emma’s behaviour. And we were supposed to think this was hilarious!

Additionally, Ned was just the most feckless and unreliable boyfriend, who stole Emma’s money after sponging off her for years, had not contributed any money towards rent or living costs, and preferred dreaming up ultimately unsuccessful get-rich-schemes with his mate. When one such scheme accidentally works out, all of a sudden Ned is painted as a wonderful character and an example to us all not to give up on your dreams.

I listened to the end, because I was too far in to give up before I realised what a truly selfish character Emma was and because of the narration. However, although I would certainly listen to more books narrated by Rosie Jones, I won’t be checking out any more books written by this author.

 

 

 

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Just a short review for this one, as it is the third (I think) time that I have read it. I remember the first time I read this book, not long after it was written, and I was howling with laughter. A couple of reads further on, and I still think it’s funny, and I still think that Fielding captured the viewpoint of a particular type of woman in the mid 1990s.

I did feel a bit more cynical about it this time around though, and got annoyed with Bridget for her constant need for approval and her desperation to feel attractive to men. But yes, it’s funny, and I still love the parallels with Pride and Prejudice. Looking forward to rereading the sequel, and reading for the first time the third book in the series.

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I listened to this audiobook across several of my training runs (which is basically how I listen to all of my audiobooks). I generally prefer a physical book to an audio, but I think this one worked as one to listen to.

The two main characters are Tiffy and Leon, and they narrate alternate chapters. Tiffy is just out of a bad relationship and needs somewhere to live, but on minimum wage, and in London, her options are limited. So she answers an ad for an unusual flat share…

Leon is a night nurse, who’s brother has been wrongly imprisoned and Leon needs to earn enough money to pay the appeal lawyer who is working on the case. He only needs his flat from 9.00am – 6.00pm because he is at work the rest of the time and spends weekends with his girlfriend Kay – so the answer seems obvious – he will advertise for a flatmate, who can have the flat to themselves every evening and weekend, as long as he can have it between in the daytime. Although they will be sharing a home and a bed, they need never meet. They still get to know each other though through the various post it notes which turn from quick messages to long conversations, and although Leon is initially bemused by all the girly stuff suddenly filling his flat, they become fond of each other despite never coming into direct contact.

This all sounds like a long explanation, and it is. But it’s set up really well, and I really liked the first half of the book. Both Tiffy and Leon are likeable characters, although very different – Tiffy is verbose and has a tendency to overshare, whereas Leon is quite closed and almost talks in bullet points.

I didn’t like the second half of the book quite as much. For quite a while the story seemed to go in circles and I do feel that a bit of editing could have improved it. It wasn’t awful though and still held my attention. But this being the kind of book it is, I knew – and I suspect every ready will know – how it is going to turn out although there are a few bumps in the road before we get there.

I think books with multiple narrators really benefit from the audio format. Carrie Anne Fletcher and Kwaku Fortune both did a great job of bringing Tiffy and Leon to life.

Overall, while I didn’t love this and don’t share the opinion of the huge amount of reviewers who have fallen in love with this book, it was an enjoyable read and a promising debut.

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Riley and Nadine meet as young children in 2007, and become close as young adults. But it is only after war breaks out and Riley is sent to fight in France, that they are able to admit their love to each other. As they both witness and suffer the horror and heartbreak of World War I, events lead Riley to tell a terrible lie to protect Nadine.

I am honestly not sure what to make of this book. I can definitely recognise the excellent writing, but for much of it, it did not make me feel a lot. I had high expectations due to hearing other readers rave about it, so maybe that was a factor. But much like looking at a piece of art and appreciating the talent required to create it but not feeling moved at all by it, that was how I felt about this novel.

That said, I did enjoy the second half a lot more than the first. The first part of the story was essentially setting up the second half, and as such was fairly slow moving. After the pivotal event takes place, the pace picks up and I liked it more. I also liked the parallel story of Julia and her husband Peter who is Riley’s commanding officer. My favourite character of all was probably Rose, Peter’s cousin, for whom war provides the identity and purposefulness which she had lacked (or been seen to be lacking) before.

The scenes of war were vivid and obviously well researched, as were the descriptions of early plastic surgery and facial reconstruction techniques. These descriptions dovetailed nicely with Julia’s obsession with her looks – all she had ever had to offer the world was her beauty and being unable to help with the war effort made her feel unnecessary and useless; the thought of losing her looks too, was unbearable to her. I was exasperated with her shallowness in parts, but it was forgivable as she too recognised it in herself and was unsatisfied with herself.

Overall I cannot say this was a bad book – in many ways it was a very good one. But it didn’t move me in the way I had hoped; however if you have any interest in World War I, you might want to check it out.

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