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Emma George has a job in TV, which is less exciting than it sounds, and a long term boyfriend Ned, who is less reliable than a boyfriend should be. And then she finds herself accidentally pregnant in the same week that she loses her job, and breaks up with Ned.

She is lucky enough to inherit a cottage and find temporary work, and an accidental lodger, but she still realises that soon she is going to be wholly responsible for another person, and things are going to have to change…

SPOILERS CONTAINED BELOW!!

I listened to the audiobook of this novel, narrated by Rosie Jones. I would have to say that the narration was excellent; unfortunately that’s the only thing that I *can* say was excellent. My main issue is that clearly the reader/listener is supposed to identify with Emma and root for her, and…well, she is just a terribly selfish, judgemental and spiteful human being. Horrible human beings can make for interesting main characters but the reader/listener is supposed to be well aware that they are horrible characters; we are not supposed to be expected to support their behaviour!

This started out quite amusing in parts, but what ruined it for me was when Emma constantly fat-shamed another character. Martha’s size and eating habits were completely irrelevant to the story, yet literally every sentence that mentioned her (and there were a LOT) made an unkind reference to the character’s weight. Furthermore, when Martha correctly chastised Emma for not doing her job properly, Emma videoed Martha after she had had sex with someone, and then blackmailed her with the footage top stop Martha reporting Emma’s behaviour. And we were supposed to think this was hilarious!

Additionally, Ned was just the most feckless and unreliable boyfriend, who stole Emma’s money after sponging off her for years, had not contributed any money towards rent or living costs, and preferred dreaming up ultimately unsuccessful get-rich-schemes with his mate. When one such scheme accidentally works out, all of a sudden Ned is painted as a wonderful character and an example to us all not to give up on your dreams.

I listened to the end, because I was too far in to give up before I realised what a truly selfish character Emma was and because of the narration. However, although I would certainly listen to more books narrated by Rosie Jones, I won’t be checking out any more books written by this author.

 

 

 

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Just a short review for this one, as it is the third (I think) time that I have read it. I remember the first time I read this book, not long after it was written, and I was howling with laughter. A couple of reads further on, and I still think it’s funny, and I still think that Fielding captured the viewpoint of a particular type of woman in the mid 1990s.

I did feel a bit more cynical about it this time around though, and got annoyed with Bridget for her constant need for approval and her desperation to feel attractive to men. But yes, it’s funny, and I still love the parallels with Pride and Prejudice. Looking forward to rereading the sequel, and reading for the first time the third book in the series.

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I listened to this audiobook across several of my training runs (which is basically how I listen to all of my audiobooks). I generally prefer a physical book to an audio, but I think this one worked as one to listen to.

The two main characters are Tiffy and Leon, and they narrate alternate chapters. Tiffy is just out of a bad relationship and needs somewhere to live, but on minimum wage, and in London, her options are limited. So she answers an ad for an unusual flat share…

Leon is a night nurse, who’s brother has been wrongly imprisoned and Leon needs to earn enough money to pay the appeal lawyer who is working on the case. He only needs his flat from 9.00am – 6.00pm because he is at work the rest of the time and spends weekends with his girlfriend Kay – so the answer seems obvious – he will advertise for a flatmate, who can have the flat to themselves every evening and weekend, as long as he can have it between in the daytime. Although they will be sharing a home and a bed, they need never meet. They still get to know each other though through the various post it notes which turn from quick messages to long conversations, and although Leon is initially bemused by all the girly stuff suddenly filling his flat, they become fond of each other despite never coming into direct contact.

This all sounds like a long explanation, and it is. But it’s set up really well, and I really liked the first half of the book. Both Tiffy and Leon are likeable characters, although very different – Tiffy is verbose and has a tendency to overshare, whereas Leon is quite closed and almost talks in bullet points.

I didn’t like the second half of the book quite as much. For quite a while the story seemed to go in circles and I do feel that a bit of editing could have improved it. It wasn’t awful though and still held my attention. But this being the kind of book it is, I knew – and I suspect every ready will know – how it is going to turn out although there are a few bumps in the road before we get there.

I think books with multiple narrators really benefit from the audio format. Carrie Anne Fletcher and Kwaku Fortune both did a great job of bringing Tiffy and Leon to life.

Overall, while I didn’t love this and don’t share the opinion of the huge amount of reviewers who have fallen in love with this book, it was an enjoyable read and a promising debut.

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Riley and Nadine meet as young children in 2007, and become close as young adults. But it is only after war breaks out and Riley is sent to fight in France, that they are able to admit their love to each other. As they both witness and suffer the horror and heartbreak of World War I, events lead Riley to tell a terrible lie to protect Nadine.

I am honestly not sure what to make of this book. I can definitely recognise the excellent writing, but for much of it, it did not make me feel a lot. I had high expectations due to hearing other readers rave about it, so maybe that was a factor. But much like looking at a piece of art and appreciating the talent required to create it but not feeling moved at all by it, that was how I felt about this novel.

That said, I did enjoy the second half a lot more than the first. The first part of the story was essentially setting up the second half, and as such was fairly slow moving. After the pivotal event takes place, the pace picks up and I liked it more. I also liked the parallel story of Julia and her husband Peter who is Riley’s commanding officer. My favourite character of all was probably Rose, Peter’s cousin, for whom war provides the identity and purposefulness which she had lacked (or been seen to be lacking) before.

The scenes of war were vivid and obviously well researched, as were the descriptions of early plastic surgery and facial reconstruction techniques. These descriptions dovetailed nicely with Julia’s obsession with her looks – all she had ever had to offer the world was her beauty and being unable to help with the war effort made her feel unnecessary and useless; the thought of losing her looks too, was unbearable to her. I was exasperated with her shallowness in parts, but it was forgivable as she too recognised it in herself and was unsatisfied with herself.

Overall I cannot say this was a bad book – in many ways it was a very good one. But it didn’t move me in the way I had hoped; however if you have any interest in World War I, you might want to check it out.

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This film is a remake of My Favorite Wife (1940), the hilarious film which starred Cary Grant and Irene Dunne. Move Over Darling was originally going to be called Something’s Got to Give, and meant to star Marilyn Monroe and Dean Martin. When Monroe was fired before the film was finished and Dean Martin subsequently pulled out of the project, it was rewritten for Doris Day, who starred opposite James Garner.

Ellen Arden (Day) has been missing presumed dead for five years, after a plane she was travelling on crashed into the ocean. Her husband Nick (James Garner) survived the crash, and now wants to have Ellen declared legally dead so that he can marry his new girlfriend Bianca (Polly Bergen). However – wouldn’t you just know it? – on the very day that Nick and Bianca marry, Ellen is brought home after being rescued by the Navy from the desert island she has made her home. Hoping to rekindle her marriage with Nick, she is more than a little surprised to see that there is now a new Mrs Arden…!

It’s been a while since I watched My Favorite Wife, but I remember that I really enjoyed it. Cary Grant was better than almost anyone in these kinds of slapstick roles, and Irene Dunne was always great when she played opposite him. So actors in any remake had big boots to fill – but Doris Day can pretty much do no wrong, and she is fantastic here. She sparkles with the magic she brings to all of her roles, and really shows off her talent for comedy. Similarly James Garner was really great as Nick, and the two played off each other with great chemistry. Kudos to Polly Bergen for playing the somewhat hard done to Bianca, and major props to Thelma Ritter, who played Nick’s mother, Grace Arden.

Overall, a really lovely and enjoyable film – less screwball than MFW, but just as good in it’s own way. I recommend it!

 

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This was another audiobook, and the third Lucy Diamond book I have listened to. I really enjoyed ‘Sweet Temptation’ and ‘On a Beautiful Day’ so I had high hopes for this one. Unfortunately, while it did have a fair but going for it, it did not match up to the other two, and had I not listened to those two already, I’m not sure I would listen to any more by this author. I note that this book was written before either of the other two, so for me at least, her books get more enjoyable the longer she has been writing.

The story revolves around the three Jones brothers and their wives / partners / potential partners. The brothers’ parents Lilian and Eddie run a holiday cottage in Dorset, but it’s starting to get too much for them – and more worryingly – Eddie’s memory seems to be failing him – and they decide they might have to give it up. They hope that one of their sons might take over, but the only one who initially seems interested is youngest son, loveable but unreliable Charlie…

Oldest son Hugh is married to Alicia. Alicia is approaching 40 and feeling older – she loves Hugh, but feels as though she is stuck in a rut. Maybe it’s time to shake things up a bit.

Middle son David is married to Emma, but they are going through a rough time, as David has recently lost his job, and their plans to have a baby don’t seem to be amounting to much.

Izzy Allerton has recently moved to the area with her two young daughters after escaping a violent marriage and swearing off men forever. But then Charlie Jones comes into her life, and despite her instincts telling her to leave well alone, there’s just something about Charlie!

The book is mostly told from the three female points of view, in alternating chapters. I liked Emma the best but Alicia and Emma were also likeable characters. I think what put me off the book was that apart from some fairly shocking events that take place about halfway through, the whole thing is so very ‘twee’. I also found the narration a tad irritating. Jilly Bond has such an upper class English accent that it really grated – please understand I have nothing against such an accent, just that it didn’t seem entirely appropriate for this book. Also, I hated pretty much all of the character voices she did. Hugh was so incredibly posh that he was basically a caricature, and the voices of the children were awful. I’m sure she is a great narrator, but not for this particular story, which required some regional accents and those didn’t come over very well.

Nonetheless, the book held my attention to the end – I think it could have done with a bit of editing, as for some time the story seemed to get stuck – and based on the other Lucy Diamond books I’ve listened to, I would give this author another try.

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This is the second time I have seen this show, which is based on the 1992 film of the same name starring Whitney Houston and Kevin Costner. When I saw it in 2015 (review here) Zoe Birkett played the role of Rachel Marron; on this occasion Jennlee Shallow tackled the part and it’s safe to say she was an outstanding success.

A brief recap of the story for anyone who is not familiar – Rachel Marron is the world’s biggest singing star, but has become the target of a deranged and calculating stalker. Frank Farmer is the bodyguard hired to look after her, although neither Rachel doesn’t want him there, and Frank doesn’t want the job. They are initially disdainful of each other, but their relationship start to grow and Frank realises that his feelings for Rachel are getting in the way of his job.

The show literally opens with a bang – a gunshot rings out and you see two men caught in a standoff, before the spectacular opening number, Queen of the Night. The show plunges the audience right into Rachel’s world with this song – the fire, the costumes, the dancing, gets you into the mood immediately.

The musical numbers are of course the real attraction of the show – Shallow has a great voice and uses it to full effect; for me, the ballads are the more enjoyable songs. Run To You, All at Once, One Moment in Time and I Have Nothing, are all beautiful and brought a lump to my throat.

Frank was played by the gorgeous Benoit Marechal, who brought the perfect amount of gentlemanliness and reticence to the role – his karaoke rendition of I Will Always Love You, was a comedic highlight in a show packed with drama. Micha Richardson played Rachel’s sister Nikki, always eclipsed by her younger, famous sibling, and harbouring an unrequited desire for Frank. The stalker was played with menace by Phil Atkinson, and there are six young boys playing Rachel’s son Fletcher – on this occasion Caleb Williams took the role and stole the audience’s hearts.

Just a fantastic show which has drama, laughter, amazing singing and dancing – for me this will be one that I will see every time it comes around and I highly recommend it.

 

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