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Another evening, another Campbell Scott movie. In Roger Dodger he plays against type as Roger, a sleazy, womanising ad agency executive in NYC; the film opens with a short scene in a bar after which Roger is unceremoniously dumped by his girlfriend Joyce (Isabella Rossellini), who is also his boss. Shortly afterwards his awkward 16 year old nephew Nick turns up in the Big Apple looking for advice from his uncle on how to attract the ladies. What follows is a journey through a NY night out, where Roger introduces Nick to various women and imparts his own brand of wisdom on how to attract and treat ladies. Roger has no respect for women, or indeed for practically anyone. He proudly admits that his job is to make people feel bad about themselves so that they will buy into whatever he is advertising. He is basically an extremely charismatic bastard. He would be easy to hate, but there’s the thing – there are moments, just a few but enough, that you do feel sorry for him. He may not admit it to himself or to anyone else, but we can see that he IS hurt by Joyce finishing their relationship. Campbell Scott is fantastic in this movie because in the hands of a lesser actor, Roger would just be a very one-dimensional character, but there’s clearly more to him somewhere. Kudos also to Jesse Eisenberg, who embodies the nervous, slightly misfit teenager.

It’s a very talky film – lots of lots of dialogue and not an awful lot of action. Roger and Nick drift from scene to scene encountering different women but it’s really all about the words. If action is your thing then this might not be for you, but if you like dialogue-heavy films, then you may enjoy this. I also love films that take place over one night or over one short period of time, and this dilm does exactly that.

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